Occult Symbolism & KhazarBragging before the 911 evil de

talk about different conspiracies ie... JFKs murder, OKC, WACO, 9-11, TWA-800 etc...

Groups working together to subvert freedom ie... Sabbatians, Rosicrucians, OTO, Illuminati, Jacobins, Fabians, Bilderbergs, CFR, TriLats, RIIA, ADL, SPLC, SWC etc...
pokerkid
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Posts: 7781

Occult Symbolism & KhazarBragging before the 911 evil de

Post#1 » Thu Feb 19, 2009 5:03 pm

Proud KaballahWOOD Khazars just cant keep their traps shut. Had to gloat YEARS before they brought down the towers during the 911 show of shows.
pk

ps let the hangings begin... Publicly... Maybe it is time for the Guillotine to make a return.

Interesting ? Fascinating ? - You Decide

*Occult Symbolism & Bragging before the deed ??????????*

Article explaining these video snapshots, which each preceded 9.11.2001 can
be found at this link:

- http://jonesreport.com/article/08_08/18matrix.html



Keenu Reeves' passport from the 1999 MATRIX movie, has an expiration date of
9.11.2001, which means it was issued [in the movie] 10 years to the day
earlier, when Lord Bush Sr. announced the New World Order in reality, and
expired on the day of 911 in reality... If you have MATRIX, scroll to this
frame to prove it to yourself...


And this *SIMPSONS* episode first aired in 1997...

Keep in mind that PNAC
http://en.wikipedia.org/wiki/Project_fo ... an_Century was
founded in *1997*, and one of their key documents mentioned the need for a
new *"Pearl Harbor"* to revitalize the *American Military Industrial
Complex, *and further recognize that the voice of the Simpons evil elite
mastermind character, *Mr. Burns, * is in real-life an Apologist for
the *Bohemian
Club Death Cult*, where elites meet and plot annually for the last 187 years
consecutive.



Did bin Laden do this too ?


Hollywood 9/11: 9/11 Synchronicities In Films- by John Valentini (c), April
25th 2005

"People break down into two groups when they experience something lucky.
Group number one sees it as more than luck, more than coincidence. They see
it as a sign-evidence that there is someone up there watching out for them.
Group number two sees it as just pure luck, a happy turn of chance. I'm sure
the people in group number two are looking at those 14 lights in a very
suspicious way. For them, the situation isn't 50-50. Could be bad, could be
good. But deep down, they feel that whatever happens, they're on their own.
And that fills them with fear. Yeah, there are those people. But there's a
whole lot of people in the group number one. When they see those 14 lights,
they're looking at a miracle. And deep down, they feel that whatever's going
to happen, there'll be someone there to help them. And that fills them with
hope. See, what you have to ask yourself is, what kind of person are you?
Are you the kind who sees signs, sees miracles? Or do you believe that
people just get lucky? Or look at the question this way-is it possible that
there are no coincidences?"
- Signs<http://www.amazon.com/exec/obidos/ASIN/ ... 5Fcode=xm2>
(2002)
- 00:40:07-00:41:50

If I were to ask anybody on the street if they could have foreseen the
terrorist attacks of September 11, 2001 the prevailing response would be on
the whole in the negative. Even if I were to ask leaders within the
government, judiciary, military, commerce or religion the reaction would be
very similar. Indeed, the Bush administration has publicly maintained 'that
no one in government had envisioned a suicide hijacking before it happened'
(CBS News 17 May 2002). Former US National Security Adviser and current
Secretary of State, Condoleeza Rice, asserted in the months following the
terrorist attacks: 'I don't think anybody could have predicted that…they
would try to use an airplane as a missile, a hijacked airplane as a missile'
(CBS News 17 May 2002). Even the chairman of the Joint Chiefs of Staff, Air
Force General Richard Myers confessed: 'You hate to admit it, but we hadn't
thought about this' (Rhem 23 October 2001).

Despite repeated denials by Bush administration officials that 'no one in
government had imagined such an attack' (CBS News 17 May 2002), if I were to
pose the same question to that privileged and influential few in Hollywood
that make a living by imagining the unimaginable the answers might be far
more revealing in light of what they have projected on a subliminal level in
some of their films prior to 9/11.
Prescient 9/11 Films

*Film:* Gremlins<http://www.amazon.com/exec/obidos/ASIN/ ... 5Fcode=xm2>
(1984)
*Time:* 01:08:58
*Scene:* Zach Galligan gets into his Volkswagen Beetle with Gizmo and
successfully starts the engine. He turns the radio on and the red indicator
is sitting between 9 and 11.


*Film:* Independence
Day<http://www.amazon.com/exec/obidos/ASIN/ ... 5Fcode=xm2>
(1996)
*Time:* 00:45:33 (Special Edition) 00:41:22 (Theatrical Version)
*Scene:* As Air Force 1 evacuates the President and his family, Jeff
Goldblum sets a laptop up to watch the countdown. When the camera cuts to a
close-up one of the ticks is 9:11:01.


*Film:* The Peacemaker<http://www.amazon.com/exec/obidos/ASIN/ ... 5Fcode=xm2>
(1997)
*Time:* 01:28:42
*Scene:* George Clooney and Nicole Kidman are in pursuit of a Yugoslavian
terrorist who disembarks at New York's JFK Airport. Stepping off the
escalator Clooney anxiously looks around and behind him are desks 9 and 11.


*Film:* Enemy of the
State<http://www.amazon.com/exec/obidos/ASIN/ ... 5Fcode=xm2>
(1998)
*Time:* 01:28:06
*Scene:* Gene Hackman takes Will Smith to his compound from where they
locate Jon Voight's personal details on the computer. Gene Hackman states,
'Reynolds, Thomas Brian. Born 9-11-40'.


*Film:* Rugrats in
Paris<http://www.amazon.com/exec/obidos/ASIN/ ... 5Fcode=xm2>
(2000)
*Time:* 00:02:22
*Scene:* Struggling to dance at a wedding ceremony Chuckie's shoelaces get
tangled. He counts along with the beat, 'Nine, eleven, twenty…'


*Film:* Traffic<http://www.amazon.com/exec/obidos/ASIN/ ... 5Fcode=xm2>
(2000)
*Time:* 00:02:17
*Scene:* In the opening sequence a drug van is pulled over and seized. When
the boxes of drugs are removed 911 is written on each of them.


*Film:* The Patriot<http://www.amazon.com/exec/obidos/ASIN/ ... 5Fcode=xm2>
(2000)
*Time:* (1) 00:03:25 (2) 00:03:59-0:4:33
*Scene:* (1) Mel Gibson weighs a chair he has made. He says 'Nine pounds,
eleven ounces. That's perfect. Perfect'. (2) Taking it down he sits on it,
but it collapses under his weight. Upset he throws it against a wall where
other chairs he has made lie in pieces.

Synchronicity or Conspiracy

Coincidence or design? You decide, but there is a growing faction of people
who feel that something more sinister is at work. The prime suspects tend to
be secretive societies that have a history of machinations against the
people of the United States and Britain (Phelps, 2001). These include such
religious or quasi-religious organizations and government bureaucracies as
Freemasonry <http://www.conspiracyarchive.com/NWO/Freemasonry.htm> (Masons),
the Illuminati <http://www.conspiracyarchive.com/NWO/Illuminati.htm>, Opus
Dei, Skull & Bones
<http://www.conspiracyarchive.com/NWO/Sk ... m>,Society
of Jesus <http://www.conspiracyarchive.com/NWO/black_pope_1.htm> (Jesuits),
the Central Intelligence
Agency<http://www.conspiracyarchive.com/NWO/Overclass.htm> (CIA),
the Federal Bureau of Investigation (FBI) and theNational Security
Agency<http://www.conspiracyarchive.com/NWO/Spooks.htm> (NSA)
besides a host of others whose numerous activities are by their very nature
underhand and secret-all against the best interests of the freedom loving
nations of the West.

It is a dangerous influence and power these nefarious groups wield through
their esoteric silence and secrecy in their covert attempts to undermine
certain social and political orders while furthering their own hidden
agenda. Such a blatant and treacherous doctrine of suppression was opposed
by no less a statesman than US President John F Kennedy in a speech before
the American Newspaper Publishers Association, whose own slaying was
littered with intrigue and covered up at the highest levels of government:

"The very word 'secrecy' is repugnant in a free and open society; and we are
as a people inherently and historically opposed to secret societies, to
secret oaths and to secret proceedings. We decided long ago that the dangers
of excessive and unwarranted concealment of pertinent facts far outweighed
the dangers which are cited to justify it. "
- Kennedy, 27 April 1961

Besides political power these societies hold 'enormous influence in the
world media', and this is nowhere felt more than in the media capital of the
world-Hollywood (Ankerberg & Weldon 1990)!

In an audio interview with Vyzygoth's From the Grassy
Knoll<http://www.vyzygoth.com/> program
Dr Rebecca Carley, an outspoken critic of the dangers and myths of
vaccination, highlighted the subliminal influence of one perfidious group in
Hollywood:

"It's time for us to turn the light on these Freemasons…because in their
sick code of honour, as it turns out, as long as they tell us what they're
doing they can get away with it…They're telling us what they're doing on the
sci-fi channel primarily…and you know movies that are done, like Conspiracy
Theory, and a lot of Mel Gibson movies as it turns out, that's where you
find out the truth. And so people have to realize that's how they get away
with things."
- Vyzygoth, 24 October 2003, 00:45:52-00:46:39

That certain members of such groups have infiltrated or collude with
Hollywood's elite writers, directors, actors or production designers to
communicate their goals to each other is undisputed given that Hollywood has
amended scripts, altered storylines and revised history at the behest of
government, military and intelligence officials (Campbell 29 August 2001).
Even now, controversy surrounds the pilot episode of Chris Carter's The
X-Files spin-offThe Lone Gunmen wherein a secret faction of the US
government, posing as foreign terrorists, hijacks a commercial airliner by
remote control and targets the World Trade Centre (Killtown 30 January
2005). Written by Vince Gilligan, John Shiban and Frank Spotnitz would it be
farfetched to suppose that one or more contributors to the show had inside
information?

In a recent series of interviews with Alex Jones Prison
Planet<http://www.prisonplanet.com/> Dean
Haglund, who played the role of Richard 'Ringo' Langly in The X-Files and The
Lone Gunmen, revealed that the writers of these shows had links to the FBI
and NASA, who supplied material for their show (Jones 17 December 2004
00:15:39-00:15:56). He also asserted that for the past twenty years the CIA
has hired informants to attend Hollywood functions for conveying trends and
concerns and related his encounter with one such informant who works as a
psychic in Hollywood:

"She was at a Hollywood party where Chris Carter was standing in the corner
in a tuxedo looking very out of place. And she went up to him and said,
'Whatever you're working on right now is going to make you millions of
dollars'. And it was just before he started The X-Files. So she was a
psychic who predicted the success of The X-Files not knowing what the
project was or who he was. And then when I asked her, 'What were you doing
at the Hollywood party?' she said that she was working for the CIA and that
she would get e-mails telling her to go to this party and that party. And
there'd be swanky affairs in the Hollywood hills and her name would always
be on the guest list (she never knew how that happened). And then she would
just go hang out at the party, and then at the end of the night go back and
e-mail what she talked about. And she didn't really know where the e-mail
went or who this person was, but then she would get a cheque. And it turns
out that was the CIA and they were just, you know, keeping tabs on what was
being talked about at Hollywood parties with the producers and the creators
because film is one of the, you know, major foreign policy tools that are
out there…."
- Jones, 17 December 2004, 00:04:29-00:05:49; cf. Jones, 12 January 2005,
00:14:02-00:15:07

This has led many to conjecture as The Lone Gunmen co-writer and The X-Files
producer Frank Spotnitz exclaimed: 'What's disturbing about it to me is, you
think as a fiction writer that if you can imagine this scenario, then the
people in power in the government who are there to imagine disaster
scenarios can imagine it, too.' (TV Guide 21 June 2001). In fact, following
9/11 the US government 'cobbled together a group of film and television
writers and asked them to create fantastic terrorism scenarios, so that
thought could be given to (and preparations made for?) possible responses to
unthinkable horrors' (Martin 20 June 2002). Who knows what the fruit of
their thoughts will be? But, the next time you watch a movie look closer.
9/11 Numerics

The study of numbers (numerics or numerology) is pivotal to organized
religions, including Christianity, Judaism and Islam. Number patterns and
symbols permeate the Christian Bible, for instance, the numbers 3, 7, 12,
40, 666, 1260 and 2520 all have symbolic meaning. It wouldn't be surprising
then if certain numbers held special import to various secret societies. In
fact the allusion to both permeates Hollywood films like End of Days
(1999),Eyes
Wide Shut (1999), The Matrix (1999), National Treasure (2004), Ocean's 11
(2001), Thirteen Days (2000) and The Thirteenth Floor (1999) (Grand Lodge
of British Columbia & Yukon 28 January 2005).

So do the numbers 9 and 11 have any significance? According to the
nineteenth century Anglican cleric, EW Bullinger, the number nine (9)
symbolizes divine judgment or finality while the number eleven (11)
symbolizes disorder, disorganization, imperfection and disintegration
(Bullinger 1967 pp. 235, 242, 251). Whether these numbers have other
occultic meanings to clandestine societies is unknown to the author, but
knowledge continues to grow in this field (Howard 7 December 2001).

Comparing 9/11 to another subsequent terrorist attack shows how crucial it
is that we understand these numbers and their relation to the masterminds
behind these global shifting events. On March 11, 2004 191 people lost their
lives in the Madrid Train Bombings. Known simply as 3/11 it was widely
described in the news media as 'Europe's 9/11' (Chance 11 March 2005). Not
so widely known, however, was that this terrorist attack occurred 911 days
after 9/11 (Shannon 12 March 2004). The recurrent numbers of 9-1-1 are all
too familiar, but whose calling cards are they?

The numbers even have historical significance to the people of Israel. Jews
annually fast on Tisha B'Av, the 9th day of the 11th month on the Hebrew
calendar, in commemoration of national disasters that have befallen them
throughout history, including the destruction of the First Temple by the
Babylonians in 586-587 BCE; the destruction of the Second Temple by the
Romans in 70 CE; the Roman defeat of the army of Simon Bar Kochba in 135 CE;
the expulsion of Jews from England by King Edward I on 18 July 1290; the
expulsion of Jews from Spain by King Ferdinand and Isabella on 2 August
1492; and the declaration of World War I in 1914. It begs the question what
other 9/11s are yet to come?
Looking Closer

From one blockbuster movie to another Hollywood constantly casts its
'spells', not unlike the ancient Druid magicians who used wands made from
holly wood, projecting its version of the future on a growingly desensitized
and unquestioning audience (Collins 13 December 2004). This form of social
manipulation, known as 'predictive programming', is a celebrated tradition
in Hollywood with its technical wizardry and special effects that shape our
perceptions of reality by creating 'the illusion of an infallibly accurate
vision of how the world is going to look in the future' (Collins 13 December
2004). From Independence Day (1996) and The Long Kiss Goodnight (1996) to The
Peacemaker (1997) and The Siege (1998) Hollywood has been pivotal in this
process of 'conditioning the masses to accept future visions that the elite
wish to tangibly enact' (Collins 6 February 2005).

So if 9/11 synchronicities were overtly and covertly embedded into Hollywood
films as part of some hidden agenda then what are they portending about
future events post 9/11? In recent years the most recurrent themes to emerge
from Hollywood have been ominous in their apocalyptic visions of rampant
disease epidemics and pandemics wiping out significant proportions of the
world population; the growing and pervasive threat of nuclear, chemical and
biological terrorist attacks within the United States and Britain; and
global environmental cataclysms wreaking havoc on a fracturing populace.

To illustrate, in Outbreak (1995) a lethal virus deliberately developed by
the US government for germ warfare purposes finds its way to a small seaside
town in California. 'Massive army backup brutally quarantines the whole town
and arrests those infected with the virus' while a Presidential Committee
gives the order to bomb the town to eliminate the virus (Davies 2003, p. 2).
A radical American scientist unleashes a deadly virus in 12 Monkeys (1995)
wiping out five billion people and forcing the remaining survivors to live
underground. Smallpox 2002: Silent Weapon(2002) explores the devastating
effects of a smallpox attack on the US and UK that eventually kills 60
million people worldwide. In Tidal Wave: No Escape (1997) a demented
terrorist launches nuclear missiles under the sea triggering a wave of
tsunami that devastate the coast of Southern California. European terrorists
plan on detonating nuclear weapons on American soil in The Peacemaker (1997)
and The Sum of All Fears (2002). Radical Islamic Fundamentalists
successfully release a 'dirty bomb' in Dirty War (2004) that spreads
radiation throughout central London. Asteroids and comets threaten humanity
in Armageddon (1998) and Deep Impact (1998) while in Volcano(1997), Dante's
Peak (1997) and Supervolcano (2005) dormant volcanoes threaten to destroy
the urban landscape of America. Tornadoes and tidal waves devastate the
American continent in The Day After Tomorrow (2003). And inCategory 6: Day
of Destruction (2004) a hurricane and tornado merge into a super-storm to
wreak havoc over a drought-ridden Chicago causing the collapse of the
national power grid. This leaves hundreds of millions without power and
makes it impossible to warn anyone about the impending disaster.

Whether these disturbing scenarios will pan out as depicted by Hollywood,
and undoubtedly anticipated by a secretive few that orchestrate such twisted
means to further their depraved end, will in time be seen. And you can be
sure to see it first as mock entertainment in state-of-the-art picture and
sound and then played out to a tee in unparalleled and mind-blowing real
life.

For further information please go to Imagining
911<http://www.imagining911.blogspot.com/>
.


[image: Imagining 9/11] <http://imagining911.blogspot.com/>
NOVEMBER 11, 2008The Clues Are Right In Front Of Your
Eyes<http://imagining911.blogspot.com/2008/1 ... es_11.html>
NB If you can identify any images or are aware of others worthy of addition
please contact the author. For the original article, "Hollywood 9/11: 9/11
Synchronicities In Films" go to
http://www.conspiracyarchive.com/NWO/Hollywood_911.htm

**
*The Preternatural Pattern: Premonitions of September 11 In Popular Culture*
**
**
**
**
THE CIGARETTE-SMOKING MAN. *He's seen too much.*
STRUGHOLD. *What has he seen? Of the whole, he has seen but pieces.
The X-Files: Fight the Future*
(1998)[1]<http://www.blogger.com/post-edit.g?blog ... 6071#_edn1>

*People think I collect art. What I really collect are lives fixed in paint.
A perfect moment capturing an entire existence made immortal. . . . A
monster's fight to survive and live to kill again. A mother willing to
fracture her own soul to protect her child. . . . Youth's struggle for
innocence, despite life's cruelty. . . . The double-edged lies needed to
sustain a double-edged life. . . . A wandering hero's pure joy at success. .
. . And his darkest hour, when all the world seems lost. All perfect moments
frozen in time. Alone, each tells a single story. Together, they can tell
the future.*
Daniel Linderman, *Heroes*
(2006)[2]<http://www.blogger.com/post-edit.g?blog ... 6071#_edn2>

PHILLIP BROYLES. *What happened on that plane might be part of something
more dangerous than just simple terrorism.
*OLIVIA DUNHAM. *Simple terrorism?*
PHILLIP BROYLES. *In the past nine months there've been three dozen
authenticated incidents like the Hamburg flight. John Thompson, a normal
kid, went missing back in '98. Reappeared last month, half-way around the
world—hadn't aged a day. In the past few months forty-six other children who
went missing that same year turn up—same story. A local fisherman off the
coast of Sri Lanka reports a low-flying plane emitting a high-pitched
frequency that blows out all their windows. An hour later, same spot an 8.7
sub-surface earthquake creates a tsunami that kills 83,000 people. *
OLIVIA DUNHAM. *So why are you telling me this? *
PHILLIP BROYLES. *This man a patient in Lisbon who woke up after years in a
coma, began writing just numbers. They turn out to be exact real-time
coordinates of our carrier battle groups in the pacific—intel that's
classified above top secret.*
OLIVIA DUNHAM. *So how is that even possible?*
PHILLIP BROYLES. *Come work for me and I'll get you the clearance—*
OLIVIA DUNHAM. *Oh stop!*
PHILLIP BROYLES. *Dunham there's more you need to hear.*
OLIVIA DUNHAM. *You mustn't have heard me I said stop.*
PHILLIP BROYLES. *They're calling these events the pattern. As if someone
out there's experimenting only the whole world is their lab. You've seen it
now you know!*
OLIVIA DUNHAM. *I don't want to know. I have a job.*
PHILLIP BROYLES. *This is a more important job. Anything, anybody you need
you can have.*
OLIVIA DUNHAM. *I like the job I've got and the man I do it with, which you
seem to have deduced on your own.*
PHILLIP BROYLES. *Look around. You see all these people going about their
lives no idea what's happening around them what they're in the middle of. *
OLIVIA DUNHAM. *I just want to go back to before. *
PHILLIP BROYLES. *Dunham, I don't think you can. *
*Fringe* (2008)[3]<http://www.blogger.com/post-edit.g?blog ... 6071#_edn3>


**
*Invoking 9/11*
From the whitewashed walls of the Oval Office to the cavernous mountains of
the Middle East, from the data hive of the international intelligence
community to the sleeper nests of the Islamic terrorist network, from the
techno-utopian trance of the technocratic police state to the nightmarish
visions of nuclear holocaust, from the once and future ground zero of New
York City to the silent, ticking time bomb of America's doomsday clock going
off on September 11, 2001, it is only when all of these plot elements are
tacked together that the true horror of the morbid masterpiece they picture
emerges.

With the twilight of the twentieth century American popular culture was
primed by a sinister phantasmagoria of Mephistophelean imagery and symbols
waxed with talismanic portent that conjured up specters of September 11.
From this crucible of curiosities ascended an alchemy of the imagination by
which the captivating charades of clandestine elites, laced with the herbs
of Hecate, played out in a game of hide and seek upon the sorcerous smoke
screen and flickered, in a twinkling of an eye, their designs of darkness
through a carousel of cues with the characters, plot, locale and themes
pursuant to the arcane psychodrama, which was ultimately transmuted from
virtual reality in 2001.

Cloaked by the mantle of Harpocrates the mysterious messages sprawled on
Jaazaniah's wall whispered the "dark sayings" of the cryptocracy and
awakening archetypes lurking betwixt the apex of day and night, sleeping and
waking, unleashed the spectacular optical of the camera obscura into a
potent portal. Beyond the medium's subtle gaze the reality of all the levels
connected below was unveiled, of an otherworldly force, whose paradoxical
pattern conspires at the crossroads of history, where the extraordinary
convergences of "coincidence" are layered precept upon precept, line upon
line, here a little and there a little, crystallizing the shadowy mosaic of
cryptic clues guessed only in the gleam of his eye inevitably clustering and
intensifying as September 11 loomed ever closer, and all the while taunting
and tantalizing us to decode the cosmic cryptogram lying at its core.

Unbeknownst to themselves the captive stargazers of the silver screen, like
the scryers of old, were to behold chilling eyewinks into the crystal clear
future.

*Film*

<http://1.bp.blogspot.com/_n43648E_K9c/S ... 0-h/82.jpg>

1. *Wrong Is Right* Theatrical Poster.

*Title:* *Wrong Is Right*
*Year of Release:* 1982
*Distributor:* Columbia Pictures
*Director:* Richard Brooks
*Writer:* Charles McCarry (Novel *The Better Angels*); Richard Brooks
(Screenplay)
*Scene:* 17 Justifiable Homicide?
*Setting:* In a desperate attempt to boost his flagging popularity in the
polls President Lockwood (George Grizzard) agrees to a candid interview with
World Television Network reporter Patrick Hale (Sean Connery). He reveals
his involvement in the removal of King Awad (Ron Moody) of Hagreb who had
arranged the procurement of two nuclear suitcase bombs for use by Eye of
Gaza terrorist leader Rafeeq (Henry Silva) against Jerusalem and New York.
*Dialogue:*
Scene 17
PATRICK HALE. Some presidents come into office because they're ruthless. All
become ruthless before they leave.
PRESIDENT LOCKWOOD. I want the people to know the truth. The whole truth.
It's the American way. I take full responsibility for the—for King Ibn
Awad's removal from office.
MALLORY. It's the dog that worries me.
PRESIDENT LOCKWOOD. If the truth turns you against me . . . the blame falls
not on us, but on the facts.
PATRICK HALE. Fact: Lockwood swore to protect and defend the United States
and its Constitution. Fact: King Awad made an unholy alliance . . . with an
international gang of terrorists. Fact: King Awad paid for two atom bombs,
concealed in two suitcases. I saw them. I can prove they were radioactive.
Fact: Those bombs were to be used by this terrorist to destroy Jerusalem.
His secondary target was to be New York City or—
RAFEEQ. No bombs. No proof.
ABU. No question.
RAFEEQ. Get the bombs!
ABU. How?
RAFEEQ. However!
PATRICK HALE. Was the death of King Awad justifiable?
MRS. FORD. The maniac who shot Lincoln . . . the hired killers of Dr. Martin
Luther King, the Kennedys, Lumumba . . . those who burned Joan of Arc,
poisoned Socrates, crucified Christ . . . all assassins cry, "Justifiable
homicide."
PATRICK HALE. If you'd be president, how would you have handled King Awad?
MRS. FORD. Killed him.
PATRICK HALE. Then you'd call it justifiable?
MRS. FORD. I'd call it necessary.
CARDINAL. Murder is never justified. No! The end does not justify the means.
REV. BILLY BOB HARPER. To prevent a plague by killing the germ is not
murder. It's mercy.
GENERAL WOMBAT. The U.S. of A. may not always be right . . . but God knows
we're never wrong.
CONGRESSMAN. Nobody asked Congress. Why?
PATRICK HALE. Public opinion.
CABBIE. With gas more than three bucks a gallon, the prez did right.
WOMAN SHOPPER. Wrong.
POLICEMAN. Right.
HOOKER. King who?
PATRICK HALE. Given the facts, sir—
MALLORY. Facts? What facts? What suitcases? What bombs? What nonsense!
Where's the proof? There's only one fact. The president is guilty of
premeditated, cold-blooded murder.
MALLORY. Ladies and gentlemen, the greatest outlaw of the century.
MRS. FORD. Thank you. In the Gallup poll—
PRESIDENT LOCKWOOD. Well?
MRS. FORD. We dropped seventeen points.
PRESIDENT LOCKWOOD. They've been wrong before.
MRS. FORD. The Times picks Mallory to win.
PRESIDENT LOCKWOOD. How close?
MRS. FORD. Landslide.
PRESIDENT LOCKWOOD. I thought that if I faced the people—
MRS. FORD. Just another television show.
HACKER. Seen by a hundred million people. They cried.
MRS. FORD. Soap opera.
HACKER. Seventy thousand telegrams are raves.
MRS. FORD. Most of them sent by you.
HACKER. The people need us.
MRS. FORD. Will they vote for us?
HACKER. Why not? He told the truth, the whole truth.
MRS. FORD. Words.
HACKER. The president's word—
PRESIDENT LOCKWOOD. Is suspect. Right?
MRS. FORD. These days, yes, sir.
PRESIDENT LOCKWOOD. You heard the lady. We need proof, two million dollars
worth.
PHILINDROS. (*On phone.*) Urgent. Overseas. Person-to-person.
*Comment:* 1.1. The motive for the removal of the king of Hagreb strikingly
parallels the motive for the removal of the president of Iraq.
*Scene:* 27 A Well-Hung Flagpole; 28 War!
*Setting:* Despite his mediocre efforts President Lockwood continues to slip
in the polls until the two nuclear suitcases are conveniently discovered and
defused on top of the World Trade Center by CIA Director Philindros (G. D.
Spradlin). As a result he declares preemptive war and is assured re-election
to the presidency.
*Dialogue:*
Scene 27
PATRICK HALE. That's a well-hung flagpole.
PRESIDENT LOCKWOOD. Thank God! Call the FBI.
PATRICK HALE. Just in the nick of time.
PHILINDROS. Yep.
PATRICK HALE. Convenient.
PHILINDROS. Oh, I'd say lucky.
PATRICK HALE. I thought for a while, the CIA had . . . arranged the
suitcases. Like King Awad's suicide.
PHILINDROS. Mr. Hale, we only try to do what's right.
PATRICK HALE. Even when it's wrong?
PHILINDROS. If it's good for America, it can't be wrong. Right?
PATRICK HALE. What's next?

pokerkid
Site Admin
Posts: 7781

continued

Post#2 » Thu Feb 19, 2009 5:04 pm

Scene 28
PRESIDENT LOCKWOOD. War! These atom bombs on our land . . . constitute an
act of war. Undeclared war, unprovoked war . . . started by the bloodiest
terrorist of modern history. By Rafeeq, the Hun of Hagreb.
RAFEEQ: What war? What bombs? What the hell? Is he crazy?
PRESIDENT LOCKWOOD. Frank, boy!
MALLORY. You did it! You finally did it!
PRESIDENT LOCKWOOD. We're not gonna take it anymore!
MALLORY. You hit them!
PRESIDENT LOCKWOOD. You bet!
MALLORY. Hit them with everything you got! And, but for God's sake, don't
hit those oil wells!
GENERAL WOMBAT. What we got here is a war. Now you're here for one reason.
No matter what happens, nothing happens until it happens on television.
PATRICK HALE. Right. But before you take the oil wells, remember . . . we're
taking a three-minute commercial break!
GENERAL WOMBAT. Right. Now let's kick ass!
*Comment:* 2.1. The motive for the invasion of Hagreb strikingly parallels
the motive for the invasion of Iraq. 2.2. As the two nuclear suitcases are
located on top of the World Trade Center the clock reads 09:56 throughout,
including 09:56:01:00 as the twentieth from the start (09:56:00:06?24;
09:56:01:00?24; 09:56:02:00?19; 4 MINUTES; 09:56:05:01?24; 09:56:06:00?24;
09:56:07:00). 2.3. Using inclusive counting 1982+20=2001.

<http://1.bp.blogspot.com/_n43648E_K9c/S ... 0-h/81.JPG>
2. Waiting for trading to open at 9:00 a.m.
*Trading Places* (c) 1983 Paramount Pictures. Courtesy of Paramount Pictures.

*Title:* *Trading Places*
*Year of Release:* 1983
*Distributor:* Paramount Pictures
*Director:* John Landis
*Writer:* Timothy Harris, Herschel Weingrod
*Scene:* 18 FCOJ
*Time:* 01:39:33
*Setting:* Having lost his senior management position with the Philadelphia
commodities brokerage Duke and Duke, Louis Winthorpe III (Dan Akroyd) aligns
with street hustler, Billy Ray Valentine (Eddie Murphy) to wreak vengeance
upon the Dukes. Bidding farewell to their accomplices they take a train to
New York City where they disembark a taxi at the World Trade Center. Walking
to the New York Board of Trade at Four World Trade Center Winthorpe
furnishes Valentine a brisk lesson in the trade of warfare. Once they arrive
they wait among the crowd for trading to open.
*Dialogue:*
LOUIS WINTHORPE III. Think big, think positive. Never show any sign of
weakness. Always go for the throat. Buy low, sell high. Fear, that's the
other guy's problem. Nothing you have ever experienced can prepare you for
the unbridled carnage you are about to witness.
BILLY RAY VALENTINE. Right.
Louis Winthorpe III. The Super Bowl, the World Series. They don't know what
pressure is. In this building it's either kill or be killed. You make no
friends in the pits and you take no prisoners. One minute you're up half a
million in soybeans, and the next, boom. Your kids don't go to college and
they've repossessed your Bentley. Are you with me?
Billy Ray Valentine. Yeah. We've got to kill the motherfucker . . . we've
got to kill them.
*Comment:* 1.1. As they walk by Two World Trade Center (South Tower) the
dominating themes of Winthorpe's discourse are death and destruction. 1.2.
The hands on the clock point to the figures nine and eleven.

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3. The car radio in the Volkswagen Beetle owned by Billy Peltzer.
*Gremlins* (c) 1984 Warner Bros. Pictures. Courtesy of Warner Bros. Pictures.

*Title:* *Gremlins*
*Year of Release:* 1984
*Distributor:* Warner Bros. Pictures
*Director:* Joe Dante
*Writer:* Chris Columbus
*Scene:* 19 Mayhem ("This Is Supposed To Be Christmas!")
*Time:* 01:09:02
*Setting:* With Gizmo by his side Billy Peltzer (Zach Galligan) sets out to
rescue Kate (Phoebe Cates) from the Gremlins overrunning Dorry's Tavern. He
starts the engine to his Volkswagen Beetle and switches the radio on.
*Comment:* 1.1. The radio dial sits between nine and eleven. 1.2. Looking at
the brand name sapphire is the traditional birthstone for September and XI
is the Roman numeral for eleven.

<http://4.bp.blogspot.com/_n43648E_K9c/S ... 0-h/79.JPG>
4. Details of the visa permit granted to Maxwell Dent accessed on the
workstation at Sidney Bernstein's office.
*Beverly Hills* *Cop* *II* (c) 1987 Paramount Pictures. Courtesy of Paramount
Pictures.

<http://2.bp.blogspot.com/_n43648E_K9c/S ... 0-h/78.JPG>
5. Details of the consignment to Costa Rica accessed on the workstation at
Sidney Bernstein's office. *Beverly Hills Cop II* (c) 1987 Paramount Pictures.
Courtesy of Paramount Pictures.

*Title:* *Beverly Hills Cop II*
*Year of Release:* 1987
*Distributor:* Paramount Pictures
*Director:* Tony Scott
*Writer:* Eddie Murphy, Robert D. Wachs (Story); Larry Ferguson, Warren
Skaaren (Screenplay)
*Scene:* 10 Racing Time
*Time:* 01:15:16; 01:15:20
*Setting:* Detroit police officer Axel Foley (Eddie Murphy) tricks
accountant Sidney Bernstein (Gilbert Gottfried) into using his office
computer to examine the financial records of his client, arms dealer Maxwell
Dent (Jurgen Prochnow) and discovers he and his fiancée Karla Fry (Brigitte
Nielsen) have obtained permits to leave the country.
*Comment:* 1.1. The visa application and consignment of oilfield equipment
to Costa Rica are dated 9/11/86. 1.2. Using exclusive counting
1987+(8+6=14)=2001.

<http://3.bp.blogspot.com/_n43648E_K9c/S ... 0-h/77.JPG>
6. Martin Riggs and Roger Murtaugh cross the street to Dixie's house.
*Lethal Weapon* (c) 1987 Warner Bros. Pictures. Courtesy of Warner Bros.
Pictures.

*Title:* *Lethal Weapon*
*Year of Release:* 1987
*Distributor:* Warner Bros. Pictures
*Director:* Richard Donner
*Writer:* Shane Black
*Scene:* 21 Dixie's House
*Time:* 01:03:05
*Setting:* Los Angeles police officers Martin Riggs (Mel Gibson) and Roger
Murtaugh (Danny Glover) seek to interrogate call girl Dixie (Lycia Naff)
over the death of Amanda Hunsaker (Jackie Swanson). They park their
Oldsmobile 88 and walk up to her house to the chant of the local
neighbourhood children. The house explodes and they fall to the ground.
*Comment:* 1.1. The street sign has printed: "NO PARKING ANY TIME EXCEPT 9
TO 11 AM WEDNESDAYS." 1.2. Simultaneous to the explosion an airplane flies
overhead.

<http://2.bp.blogspot.com/_n43648E_K9c/S ... 0-h/76.jpg>
7. *Die Hard* Theatrical Poster.

*Title:* *Die Hard*
*Year of Release:* 1988
*Distributor:* Twentieth Century Fox
*Director:* John McTiernan Writer: Roderick Thorp (Novel Nothing Lasts
Forever); Jeb Stuart, Steven E. De Souza (Screenplay)
*Scene:* 1 Landing In LA
*Setting:* New York City police officer John McClane (Bruce Willis) sits
anxiously alongside a businessman (Robert Lesser) in an airplane bound for
Los Angeles. They spark off a conversation about surviving air travel.
*Dialogue:*
BUSINESSMAN. You don't like flying, do you?
JOHN MCCLANE. What gives you that idea?
BUSINESSMAN. You wanna know the secret to surviving air travel? After you
get where you're going, take off your shoes and your socks. Then you walk
around on the rug barefoot and make fists with your toes.
JOHN MCCLANE. Fists with your toes?
BUSINESSMAN. I know. I know. It sounds crazy. Trust me. I've been doing it
for nine years. Yes, sir! Better than a shower and a hot cup of coffee.
JOHN MCCLANE. Okay.
(*The airplane stops. Passengers rise, start to take down overhead luggage.
McClane does this, but as he opens the door above, the Businessman blanches
seeing McClane's Beretta pistol peeking out from his jacket. Recognizing the
look, McClane smiles reassuringly.*)
JOHN MCCLANE. It's okay. I'm a cop. Trust me. I've been doing this for
eleven years.
*Comment:* 1.1. Comparing the sum of experience each has in their respective
fields the Businessman has nine years and McClane eleven years.

<http://3.bp.blogspot.com/_n43648E_K9c/S ... 0-h/75.JPG>
8. Vicki Vale's apartment door.
*Batman* (c) 1989 Warner Bros. Pictures. Courtesy of Warner Bros. Pictures.

*Title:* *Batman*
*Year of Release:* 1989
*Distributor:* Warner Bros. Pictures
*Director:* Tim Burton Writer: Sam Hamm (Story); Sam Hamm, Warren Skaaren
(Screenplay)
*Scene:* 19 Vale's Apartment: "My Life Is Really Complex;" The Joker Pays a
Call: Breaking Eggs and Dancing with the Devil.
*Time:* 01:15:06
*Setting:* Bruce Wayne/Batman (Michael Keaton) visits photojournalist Vicki
Vale (Kim Basinger) at her apartment to apologize for lying and reveal his
true identity.
*Comment:* 1.1. The design on the door mirrors the Twin Towers. 1.2. The
gilded number nine together with the two black bars underneath make a subtle
911.

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9. Patients' files are examined by Bainbridge Hospital staff.
*Awakenings* (c) 1990 Columbia Pictures. Courtesy of Columbia Pictures.

*Title:* *Awakenings*
*Year of Release:* 1990
*Distributor:* Columbia Pictures
*Director:* Penny Marshall Writer: Oliver Sacks (Novel); Steven Zaillian
(Screenplay)
*Scene:* 10 Lucy on the Move
*Time:* 00:20:52
*Setting:* Dr. Malcolm Sayer (Robin Williams) and Eleanor Costello (Julie
Kavner) examine the admission files of the catatonic patients of Bainbridge
Hospital.
*Comment:* 1.1. Browsing a file Ms. Costello exclaims, "This one is 'No
change,' dated 9/11/44." 1.2. The inversion of the statement is correct as
world history forever changed on 9/11 and like the birth of Christ split
into "pre-9/11" and "post-9/11" eras.

<http://1.bp.blogspot.com/_n43648E_K9c/S ... 0-h/73.JPG>
10. A television news crew demands access to the Clamp Premiere Regency
Trade Center and Retail Concourse.
*Gremlins 2: The New Batch* (c) 1990 Warner Bros. Pictures. Courtesy of Warner
Bros. Pictures.

*Title:* *Gremlins 2: The New Batch*
*Year of Release:* 1990
*Distributor:* Warner Bros. Pictures
*Director:* Joe Dante
*Writer:* Charlie Haas
*Scene:* 23 Bizarre Science
*Time:* 01:10:53
*Setting:* Gremlins infest the familiar-sounding Clamp Premiere Regency
Trade Center and Retail Concourse. A contingent of television reporters
(Heidi Kemp, Eric Shawn, Michael Salort) attempt to gain entry into the
site, but are prevented by a New York City cop (Frank P. Ryan) who informs
them that it has been evacuated.
*Comment:* 1.1. The microphone flags display the channel nine and eleven
logos.

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11. The Healys' home in Mortville.
*Problem Child 2* (c) 1991 Universal Pictures. Courtesy of Universal Pictures.

*Title:* *Problem Child 2*
*Year of Release:* 1991
*Distributor:* Universal Pictures
*Director:* Brian Levant
*Writer:* Scott Alexander, Larry Karaszewski
*Scene:* 11 Maid to Order
*Time:* 00:51:16
*Setting:* Ben Healy (John Ritter) with adopted son Junior Healy (Michael
Oliver) move from Cold River to Mortville to make a fresh start.
*Comment:* 1.1. The street number 911 is etched vertically on the right
column of the portico. 1.2. The French word *mortville* denotes "city of
death."

<http://2.bp.blogspot.com/_n43648E_K9c/S ... 0-h/71.JPG>
12. A sting operation is recorded for a television show.
*Ricochet* (c) 1991 Warner Bros. Pictures. Courtesy of Warner Bros. Pictures.

*Title:* *Ricochet*
*Year of Release:* 1991
*Distributor:* Warner Bros. Pictures
*Director:* Russell Mulcahy
*Writer:* Fred Dekker, Menno Meyjes (Story); Steven E. De Souza (Screenplay)
*Scene:* 7 Two Years Later: Busted
*Time:* 00:18:20
*Setting:* Television programme Busted reports on Los Angeles police officer
Nick Styles's (Denzel Washington) promotion with accompanying footage of his
most recent undercover operation. The programme notes, "Lieutenant Nick
Styles may look familiar to our viewers. He first gained national attention
two years ago when his apprehension of professional hit man Earl Talbot
Blake was captured by an amateur photographer. Today's operation will camp
his career with the LAPD. Next week the recent law school graduate will
continue his crime fighting as Los Angeles's new assistant district
attorney."
*Comment:* 1.1. The details of the undercover operation are 11 SEPT. 1985,
5:20 P.M. LOS ANGELES. 1.2. Using inclusive counting 1991+(8+3=11)=2001.

<http://2.bp.blogspot.com/_n43648E_K9c/S ... 0-h/70.JPG>
13. The overpass and abutment the T-1000 crashes into immediately prior to
impact.
*Terminator 2: Judgment Day* (c) 1991 TriStar Pictures. Courtesy of TriStar
Pictures.

*Title:* *Terminator 2: Judgment Day*
*Year of Release:* 1991
*Distributor:* TriStar Pictures
*Director:* James Cameron
*Writer:* James Cameron, William Wisher
*Scene:* 21 Canal Chase
*Time:* 00:36:16
*Setting:* The Terminator (Arnold Schwarzenegger) and John Conner (Edward
Furlong) are pursued by the T-1000 (Robert Patrick) who crashes a
Freightliner truck into an overpass supported by an abutment, which bisects
the canal into two channels. The truck slams into the abutment and explodes
into a fireball.
*Comment:* 1.1. On the overpass is printed: "CAUTION: 9′-11″." 1.2. The
outline of the two channels bisected by the abutment conforms to the outline
of the Twin Towers.

<http://2.bp.blogspot.com/_n43648E_K9c/S ... 0-h/69.JPG>
14. Koopa's Tower.
*Super Mario Bros.* (c) 1993 Hollywood Pictures. Courtesy of Hollywood
Pictures.

pokerkid
Site Admin
Posts: 7781

continued

Post#3 » Thu Feb 19, 2009 5:05 pm

*Title:* *Super Mario Bros.*
*Year of Release:* 1993
*Distributor:* Hollywood Pictures
*Director:* Rocky Morton, Annabel Jankel
*Writer:* Parker Bennet, Terry Runte, Ed Solomon
*Scene:* 10 Hey Mario
*Time:* 01:30:37
*Setting:* As Mario Mario (Bob Hoskins) and King Koopa (Dennis Hopper) are
transported between parallel worlds the World Trade Center is transformed
into Koopa's Tower.
*Comment:* 1.1. At the same time as the Twin Towers are transformed into a
heavily damaged and smoldering wreck a ghostly image of an airplane flies
eerily between them.

<http://4.bp.blogspot.com/_n43648E_K9c/S ... 0-h/68.JPG>
15. The Oval Office under surveillance as an agreement is made on the
pelican brief.
*The Pelican Brief* (c) 1993 Warner Bros. Pictures. Courtesy of Warner Bros.
Pictures.

*Title:* *The Pelican Brief*
*Year of Release:* 1993
*Distributor:* Warner Bros. Pictures
*Director:* Alan J. Pakula
*Writer:* John Grisham (Novel); Alan J. Pakula (Screenplay)
*Scene:* 13 Discussing Dog Tricks
*Time:* 00:41:22
*Setting:* White House chief of staff, Fletcher Coal (Tony Goldwyn), closely
monitors surveillance video of the US president (Robert Culp) and FBI
Director Denton Voyles (James B. Sikking) in the Oval Office as both parties
come to an arrangement on the pelican brief.
*Comment:* 1.1. The counter on the three television screens reads 09:11
throughout (Left: 09:11:42:28?09:11:44:24; Center: 09:11:42:29?09:11:44:27;
Right: 09:11:43:00?09:11:44:27).

<http://2.bp.blogspot.com/_n43648E_K9c/S ... 0-h/67.JPG>
16. The tape recorder in the observation room.
*Seven *(c) 1995 New Line Cinema. Courtesy of New Line Cinema.

*Title:* *Seven*
*Year of Release:* 1995
*Distributor:* New Line Cinema
*Director:* David Fincher
*Writer:* Andrew Kevin Walker
*Scene:* 26 Lust
*Time:* 01:24:15
*Setting:* Detectives Somerset (Morgan Freeman) and Mills (Brad Pitt)
interrogate the Crazed Man in Massage Parlor (Leland Orser) and the Man in
Booth at Massage Parlor (Michael Massee) while an officer records them from
the observation room.
*Comment:* 1.1. The counter on the tape recorder passes 0.09.11.

<http://3.bp.blogspot.com/_n43648E_K9c/S ... 0-h/66.JPG>
17. The prosecution strikes a blow to the defense in its cross-examination
of the defense psychologist.
*A Time to Kill* (c) 1996 Warner Bros. Pictures. Courtesy of Warner Bros.
Pictures.

*Title:* *A Time to Kill*
*Year of Release:* 1996
*Distributor:* Warner Bros. Pictures
*Director:* Joel Schumacher
*Writer:* John Grisham (Novel); Akiva Goldsman (Screenplay)
*Scene:* 13 Hooking Dr. Bass
*Time:* 40:03
*Setting:* Jake Brigance (Matthew McConaughey) acts as defense attorney for
Carl Lee Hailey (Samuel L. Jackson) who murdered two men in retribution for
the brutal rape of his ten-year-old daughter.
*Comment:* 1.1. During the course of the trial defence psychologist Dr.
Willard Tyrrel Bass (M. Emmet Walsh) takes the stand and is cross-examined
by the district attorney Rufus Buckley (Kevin Spacey) who interrogates him
over a prior conviction for statutory rape. Despite his adamant denials
Buckley counters, "Well, I have some mighty interesting photographs of you
taken with a female underage in a motel by the Dallas Police Department on
September 11th, 1960." 1.2. Using inclusive counting 1996+(6+0=6)=2001.

<http://4.bp.blogspot.com/_n43648E_K9c/S ... 0-h/65.JPG>
18. The final countdown.
*Independence Day* (c) 1996 Twentieth Century Fox. Courtesy of Twentieth
Century Fox.

<http://3.bp.blogspot.com/_n43648E_K9c/S ... 0-h/64.JPG>
19. New York Harbor, in the wake of the alien attack.
*Independence Day* (c) 1996 Twentieth Century Fox. Courtesy of Twentieth
Century Fox.

*Title:* *Independence Day*
*Year of Release:* 1996
*Distributor:* Twentieth Century Fox
*Director:* Roland Emmerich
*Writer:* Dean Devlin, Roland Emmerich
*Scene:* 22 Communication Breakdown
*Time:* 00:41:23
*Setting:* As Air Force One evacuates the US president Thomas J. Whitmore
(Bill Pullman) and his family, cable repairman, David Levinson (Jeff
Goldblum), positions a laptop filtering the hidden signal.
*Comment:* 1.1. The timer reads 00:09:11:01 as the sixth last (00:09:12:18,
00:09:12:15, 00:09:12:05, 00:09:12:07, 00:09:12:01; 00:09:11:56,
00:09:11:59, 00:09:11:51, 00:09:11:44, 00:09:11:49, 00:09:11:34,
00:09:11:31, 00:09:11:32, 00:09:11:27; 00:09:11:28, 00:09:11:13,
00:09:11:18, 00:09:11:15, 00:09:11:05, 00:09:11:07, 00:09:11:01;
00:09:10:56, 00:09:10:59, 00:09:10:51, 00:09:10:44, 00:09:10:49). 1.2. The
outline of the spectrograms conforms to the outline of the Twin Towers. 1.3.
Using inclusive counting 1996+6=2001.
*Scene:* 25 July 3
*Time:* 00:48:09
*Setting:* At the end of the countdown the aliens attack leaving Los
Angeles, Washington D.C. and New York in ruins.
*Comment:* 2.1. In the aftermath of the conflagration the Statue of Liberty
lies shattered in New York Harbor and the Twin Towers ablaze.

<http://1.bp.blogspot.com/_n43648E_K9c/S ... 0-h/63.jpg>
20. *The Long Kiss Goodnight* Theatrical Poster.

*Title:* *The Long Kiss Goodnight*
*Year of Release:* 1996
*Distributor:* New Line Cinema
*Director:* Renny Harlin
*Writer:* Shane Black
*Scene:* 22 Rescue Attempt
*Setting:* With aid from private detective Mitch Henessey (Samuel L.
Jackson) former CIA assassin Samantha Caine/Charly (Geena Davis) sets out to
rescue her daughter from Perkins (Patrick Malahide) her former boss, who has
allied himself with terrorists. He captures them and subsequently explains
the purpose of Operation Honeymoon.
*Dialogue:
*PERKINS. I'm going to miss you, Major. You ought really to have stayed
dead. You don't know the rules of the game anymore.
SAMANTHA CAINE/CHARLY. Tell me about it. Eight years ago, this guy was on
the hit list.
PERKINS. Budget cuts, dear. Congress blinded us overseas. I was forced to
turn to any eyes and ears I could find, even if that meant recruiting the
"bad guys" here.
SAMANTHA CAINE/CHARLY. Budget cuts—is that what this is about? Operation
Honeymoon . . . Fuck me! You're running a fund-raiser.
MITCH HENNESSEY. Fund-raiser?
PERKINS. 1993 . . . World Trade Center bombing, remember? During the trial,
one of the bombers claimed the CIA had advance knowledge. (*Chuckling.*) The
diplomat who issued the terrorists' visa was CIA. It's not unthinkable they
paved the way for the bombing, purely to justify a budget increase.
MITCH HENNESSEY. You're telling me that you're going to fake some terrorist
thing just to scare some money out of Congress?
PERKINS. Well, unfortunately, Mr. Hennessey, I have no idea how to fake
killing 4,000 people, so we're just going to have to do it for real. Blame
it on the Muslims, naturally. Then I get my funding. Goodnight, old girl.
Timothy I'll be in chopper one.
*Comment:* 1.1. The overview of Operation Honeymoon, including the purpose,
projected fatalities and predetermined scapegoats parallels the actual
outcome, total casualties and attribution of Muslim culpability of 9/11.

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21. The Twin Towers are clearly visible in the background.
*She's the One* (c) 1996 Twentieth Century Fox. Courtesy of Twentieth Century
Fox.

<http://2.bp.blogspot.com/_n43648E_K9c/S ... 0-h/61.JPG>
22. The Twin Towers have mysteriously disappeared.
*She's the One* (c) 1996 Twentieth Century Fox. Courtesy of Twentieth Century
Fox.

*Title:* *She's the One*
*Year of Release:* 1996
*Distributor:* Twentieth Century Fox
*Director:* Edward Burns
*Writer:* Edward Burns
*Scene:* 9 Out of the Past
*Time:* 00:26:26; 00:27:19
*Setting:* New York City taxi driver Mickey Fitzpatrick (Ed Burns) picks up
his television from his former fiancée Heather's (Cameron Diaz) apartment.
*Comment:* 1.1. As they sit together going over their failed relationship
the Twin Towers are visible in the background until Mickey stands up to
leave.

<http://2.bp.blogspot.com/_n43648E_K9c/S ... 0-h/60.JPG>
23. Eve Archer's diary.
*Face/Off* (c) 1997 Paramount Pictures. Courtesy of Paramount Pictures.

*Title:* *Face/Off*
*Year of Release:* 1997
*Distributor:* Paramount Pictures
*Director:* John Woo
*Writer:* Mike Werb, Michael Colleary
*Scene:* 17 "Papa's Got a Brand New Bag."
*Time:* 00:54:21
*Setting:* Terrorist Castor Troy (Nicholas Cage) assumes the identity of his
pursuer FBI agent Sean Archer (John Travolta). Arriving home he pokes around
to discover Eve Archer's (Joan Allen) diary in a drawer and randomly turns
to a page.
*Comment:* 1.1. The recto is dated Sept. 11, 1997. 1.2. The entry is
inscribed thus: "There are no absolutes for something so relative as a human
life. What an absurd amount of energy I have been wasting all my life trying
to figure out how things really 'are' when all . . ."

<http://4.bp.blogspot.com/_n43648E_K9c/S ... 0-h/59.JPG>
24. Terrorist Ramzi Yousef is transported into New York City to face charges
over the 1993 World Trade Center Bombing.
*Path to Paradise* (c) 1997 HBO. Courtesy of HBO.

*Title:* *Path to Paradise*
*Year of Release:* 1997
*Distributor:* HBO
*Director:* Leslie Libman, Larry Williams
*Writer:* Ned Curren
*Scene:* 10
*Time:* 01:30:58
*Setting:* Ramzi Yousef (Art Malik) the bomb maker in the February 26, 1993
World Trade Center Bombing is arrested in Pakistan and extradited to the US
to await trial.
*Comment:* 1.1 As he flies over the World Trade Center Yousef asserts, "Next
time we'll bring them both down."

<http://3.bp.blogspot.com/_n43648E_K9c/S ... 0-h/58.JPG>
25. Thomas Devoe coordinates his unit's operation at JFK Airport after being
tipped off about the arrival of a Yugoslavian terrorist.
*The Peacemaker* (c) 1997 DreamWorks Pictures. Courtesy of DreamWorks
Pictures.

*Title:* *The Peacemaker*
*Year of Release:* 1997
*Distributor:* DreamWorks Pictures
*Director:* Mimi Leder
*Writer:* Michael Schiffer
*Scene:* 13 The Presidential Directive
*Time:* 01:28:44
*Setting:* Thomas Devoe (George Clooney), an intelligence officer with the
US Army Special Forces, and Dr. Julia Kelly (Nicole Kidman), the newly
appointed acting chair of the White House Nuclear Smuggling Group, join
forces in pursuit of Yugoslavian terrorist Dusan Gavric (Marcel Iures) who
escapes detection upon arrival in New York City. They are red flagged to the
arrival of his half-brother Vlado Mirich (Rene Medvesek) at John F. Kennedy
International Airport. But, another partner carrying a fake passport in his
name is apprehended.
*Comment:* 1.1. Stepping off the airport escalator Devoe anxiously scans the
scene opposite desks nine and eleven.

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26. The after-effects of the meteor shower on the Twin Towers.
*Armageddon* (c) 1998 Touchstone Pictures. Courtesy of Touchstone Pictures.

<http://2.bp.blogspot.com/_n43648E_K9c/S ... 0-h/56.JPG>
27. The countdown clock at the Kennedy Space Center.
*Armageddon *(c) 1998 Touchstone Pictures. Courtesy of Touchstone Pictures.

*Title:* *Armageddon*
*Year of Release:* 1998
*Distributor:* Touchstone Pictures
*Director:* Michael Bay
*Writer:* Robert Roy Pool, Jonathan Hensleigh (Story); Tony Gilroy, Shane
Salerno (Adaptation); Jonathan Hensleigh, J. J. Abrams (Screenplay)
*Scene:* 2 NYC Hit Hard
*Time:* 00:09:42
*Setting:* Sitting in gridlock prior to a meteor shower striking New York
City Stu the Cabbie (Mark Curry) wryly explains to his Asian tourists (Gedde
Watanabe and Seiko Matsuda) the possible reasons for the predicament.
*Comment:* 1.1. Stu points out in his response to the situation, "Well, you
know why? 'Cause this is New York City. Anything could've happened. Look at
that. Uh, let's see. Could've been a terrorist bomb" and "Whoa! Look at
that! Oh, we at war! Saddam Hussein is bombing us!" 1.2. The aftermath of
the meteor shower depicts the Twin Towers heavily damaged and smoldering.
*Scene:* 12 Launch Day
*Time:* 00:59:09
*Setting:* Realizing a meteor threatens to obliterate the earth NASA's
executive director executes a plan to send a team of oil drillers to drop a
nuclear warhead into the core of the asteroid.
*Comment:* 2.1. The countdown clock of the Press Site at the Kennedy Space
Center visibly passes nine minutes eleven seconds.

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28. The check the Dude writes for a carton of milk.
*The Big Lebowski* (c) 1998 Gramercy Pictures. Courtesy of Gramercy Pictures.

<http://1.bp.blogspot.com/_n43648E_K9c/S ... 0-h/54.JPG>
29. A television broadcast of George H. W. Bush strongly disapproving of the
Iraqi invasion of Kuwait.
*The Big Lebowski* (c) 1998 Gramercy Pictures. Courtesy of Gramercy Pictures.

*Title:* The Big Lebowski
*Year of Release:* 1998
*Distributor:* Gramercy Pictures
*Director:* Joel Coen
*Writer:* Ethan Coen, Joel Coen
*Scene:* 1 Tumbling Tumble Weed
*Time:* 00:03:00; 00:03:04
*Setting:* The Dude (Jeff Bridges) writes a check at Ralphs store after
consuming a carton of milk. He looks up at the television to see US
president George H. W. Bush condemning Iraqi president Saddam Hussein's
invasion of Kuwait saying, ". . . with them all for collective action. This
will not stand. This will not stand, this aggression against Kuwait."
*Comment:* 1.1. The check is dated Sept. 11, 1991. 1.2. The archival footage
was from August 5, 1990, "Remarks and an Exchange with Reporters on the
Iraqi Invasion of Kuwait."

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30. Brill scans Reynolds's file.
*Enemy of the State* (c) 1998 Touchstone Pictures. Courtesy of Touchstone
Pictures.

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31. An extract of Reynolds's file.
*Enemy of the State* (c) 1998 Touchstone Pictures. Courtesy of Touchstone
Pictures.

*Title:* *Enemy of the State*
*Year of Release:* 1998
*Distributor:* Touchstone Pictures
*Director:* Tony Scott
*Writer:* David Marconi
*Scene:* 8 Rabbit on the Run
*Setting:* Washington D.C. attorney, Robert Clayton Dean (Will Smith)
arrives home to find his wife Carla Dean (Regina King) watching Larry King
Live on CNN interviewing Congressman Albert (Stuart Wilson) over the
Telecommunications and Privacy Act.
*Comment:* 1.1. During the interview Albert presciently remarks, ". . . and
freedom have always existed in a . . . in a very precarious balance, and
when buildings start blowing up, people's priorities tend to change" and
"Tens of millions of foreign nationals living within our borders, and many
of these people consider the United States their enemy. And they see acts of
terrorism as a . . ."
*Scene:* 20 The Jar
*Time:* 01:31:47; 01:31:51
*Setting:* Brill (Gene Hackman) a former NSA communications analyst takes
Dean to his workplace where he accesses the executive NSA files to identify
Reynolds (Jon Voight) a special advisor to the Deputy Director of Operations
on transfer from the State Department.
*Comment:* 2.1. Reynolds's date of birth is 9/11/40. 2.2. Alerted to the
breach of the security system by Reynold's surveillance crew they escape
imploding the compound. 2.3. Using inclusive counting 1998+(4+0=4)=2001.

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32. Dr. Niko Tatopoulos checks his watch.
*Godzilla* (c) 1998 TriStar Pictures. Courtesy of TriStar Pictures.

*Title:* *Godzilla*
*Year of Release:* 1998
*Distributor:* TriStar Pictures
*Director:* Roland Emmerich
*Writer:* Ted Elliot, Terry Rossio, Dean Devlin, Roland Emmerich (Story);
Dean Devlin, Roland Emmerich (Screenplay)
*Scene:* 11 Drawing Him Out
*Time:* 00:41:46
*Setting:* Waiting impatiently for the bait to draw out Godzilla from the
sewers of New York US Nuclear Regulatory Commission biologist Dr. Nicko
Tatopoulos (Matthew Broderick) checks the time on his watch.
*Comment:* 1.1. The hands on his watch point to the figures nine and eleven.

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33. *The Siege* Theatrical Poster.

*Title:* *The Siege*
*Year of Release:* 1998
*Distributor:* Twentieth Century Fox
*Director:* Edward Zwick
*Writer:* Laurence Wright, Menno Meyjes, Edward Zwick
*Scene:* 11 The Terrorist Cell
*Setting:* New York City becomes the target of terrorism after the US
military abducts an Islamic sheik. FBI Counterterrorism Task Force leader
Anthony Hubbard (Denzel Washington) teams up with CIA undercover operative
Elise Kraft/Sharon Bridger (Annette Bening) to investigate the attacks.
*Comment:* 1.1. During an argument with Kraft/Bridger, who is growing
impatient with the legal procedures necessary to obtain a search warrant,
Hubbard remarks, "And I'm sorry that the Cold War's over and all you little
masters of the universe CIA types got no work over in Afghanistan or Russia
or Iran or whatever the hell it is, but this ain't the Middle East."
*Scene:* 18 A Time of War
*Setting:* In their pursuit of the CIA-trained culprits the city violently
erupts in mass paranoia and escalating rage, which threatens to spiral out
of control.
*Dialogue:*
CAPITAL WEEK PUNDIT 1. Now we've got three bombings in New York City. We've
got 600 people dead. Uh, the NYPD, the FBI, they don't seem up to it. Do we
need to bring the army into this Arianna?
CAPITAL WEEK PUNDIT 2. Absolutely. How many people have to die before we do
bring the army in?
CAPITAL WEEK PUNDIT 3. The US government troops are not trained to police
their own population. That's why we have an FBI. That's why we have a police
force. We don't want an occupying army in Brooklyn.
ANTHONY HUBBARD. I would imagine you would have to speak to the army to
verify those rumours.
CAPITAL WEEK PUNDIT 2. And here we have the FBI, having failed to do their
job, having failed to protect life.
GENERAL WILLIAM DEVEREAUX. This is an attack. This is a time of war. The
fact that it's inside our borders only means that it's a new kind of war.
MAN 1. This is the kind of shit these towelheads do in their own country and
now they're bringing it here!
MAN 2. People must understand that the word "Arab" is not synonymous with
the word "terrorist." Islam is a religion of peace. These people defile the
Holy Quran when they use its words.
MAN 3. You know, there's a lot of pent up frustration and anger out there.
NEWSCASTER 1. A merchant, Abdul Hassam, was beaten today and his store
vandalized.
NEWSCASTER 2. The President released a statement today: "One of our greatest
freedoms is the freedom from fear" and he pledged to protect that freedom
with all the resources of the US government.
NEWSCASTER 3. More than 50 percent of Americans now favour some kind of
military intervention.
*Comment:* 2.1. The media rhetoric relating to the attacks is eerily
familiar to the post-9/11 reaction. *Scene:* 23 Time to Suffer
*Setting:* Martial law is declared in New York City and the US Army under
General William Devereaux (Bruce Willis) is sent in to quell the unrest.
Unswerving in his mission he deploys his troops and seizes the male
Arab-American population herding them into makeshift detention camps.
*Comment:* 3.1. Hubbard confronts Devereaux about his plans to torture and
execute a terrorist inmate exclaiming, "Come on, General. You lost men, I've
lost men, but you . . . you . . . you . . . you can't do this. What if what
they really want—what if they don't even want the Sheik? Have you considered
that? Huh? What if they really want is for us to herd children into stadiums
like we're doing? And put soldiers on the street and . . . and have
Americans looking over their shoulders? Bend the law, shred the constitution
just a little bit? Because if we torture him, General, we do that and
everything that we have bled and fought and died for is over. And they've
won. They've already won!"

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34. The New York City skyline.
*The Bone Collector* (c) 1999 Universal Pictures. Courtesy of Universal
Pictures.

pokerkid
Site Admin
Posts: 7781

continued

Post#4 » Thu Feb 19, 2009 5:06 pm

*Title:* *The Bone Collector*
*Year of Release:* 1999
*Distributor:* Universal Pictures
*Director:* Phillip Noyce
*Writer:* Jeffery Deaver (Novel); Jeremy Iacone (Screenplay)
*Scene:* 5 Amelia
*Time:* 00:11:24
*Setting:* Young rookie Amelia Donaghy (Angelina Jolie) views the New York
City skyline from Steve's (Bobby Cannavale) apartment.
*Comment:* 1.1. An aircraft flies above the Twin Towers.
*Scene:* 6 The Crime Scene
*Setting:* After waking from a seizure forensics expert Lincoln Rhyme
(Denzel Washington) asks his nurse Thelma (Queen Latifah) to scan the photos
taken from the crime scene and notices a torn book page with 119 on it. He
figures the numbers correspond with the date November 9.
*Comment:* 2.1. Using the logic presented the inverse 911 would correspond
with the date September 11.
*Scene:* 16 The Bone Collector
*Setting:* Donaghy locates the serial killer's script, The Bone Collector:
True Accounts of a Murderer, a turn of the century collection of crime
stories compiled by retired NYPD detective Thomas Brynes.
*Comment:* 3.1. The terrorist attacks of 9/11 paralleled other historical
acts of terrorism that followed fictional tales of terror.

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35. As the Narrator and Marla Singer reconcile the ultimate realization of
Project Mayhem ensues with the destruction of the financial district.
*Fight Club* (c) 1999 Twentieth Century Fox. Courtesy of Twentieth Century
Fox.

*Title:* *Fight Club*
*Year of Release:* 1999
*Distributor:* Twentieth Century Fox
*Director:* David Fincher
*Writer:* Chuck Palahniuk (Novel); Jim Uhls (Screenplay)
*Scene:* 2 Ground Zero
*Setting:* Tyler Durden (Brad Pitt) takes his partner in crime the Narrator
(Edward Norton) captive to prevent him from undermining the success of
Project Mayhem.
*Comment:* 1.1. The location is referred to as "Ground Zero." 1.2. Project
Mayhem is described as "Tyler's whole controlled demolition thing." 1.3. In
Freemasonry tyler is "the name of the office of the outer guard" of the
lodge whose duty is to guard the door with a drawn sword that "should never
be sheathed," and keep all "cowens and eavesdroppers" away at all
times.[4]<http://www.blogger.com/post-edit.g?blog ... 6071#_edn1>
1.4.
The English word durden with its variants originally denoted, "1. Noise,
uproar; tumultuous proceedings; a noisy quarrel. 2. A punishment, scolding;
blame, reprehension. 3. A heavy blow, stroke; a
fall."[5]<http://www.blogger.com/post-edit.g?blog ... 6071#_edn2>
*Scene:* 29 Operation Latte Thunder
Setting: Having recruited others into their terrorist organization they
coordinate covert acts of vandalism and assault across the country,
including the destruction of a piece of corporate art.
*Comment:* 2.1. The sculpture destroyed resembles Fritz Koenig's The Sphere,
which stood in the World Trade Center Plaza. It symbolized, "world peace
through world trade, and was placed at the center of a ring of fountains and
other decorative touches designed by trade center architect Minosoru
Yamasaki to mimic the Grand Mosque of Mecca, in which the Sphere stood at
the place of the
Kaaba."[6]<http://www.blogger.com/post-edit.g?blog ... 6071#_edn3>
*Scene:* 35 Walls of Jericho
*Time:* 02:10:30
*Setting:* Standing together at Ground Zero the Narrator and Marla Singer
(Helena Bonham Carter) watch the headquarters buildings of several credit
card companies and the TRW Building implode before them.
*Comment:* 3.1. The final scene chillingly parallels the live coverage of
9/11. 3.2. An aircraft flies above the collapsing buildings. 3.3. The film
depicts an alternate ending to the novel.

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36. Thomas A. Anderson's file.
*The Matrix* (c) 1999 Warner Bros. Pictures. Courtesy of Warner Bros. Pictures

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37. The television broadcasting the "desert of the real."
*The Matrix* (c) 1999 Warner Bros. Pictures. Courtesy of Warner Bros. Pictures

*Title:* *The Matrix*
*Year of Release:* 1999
*Distributor:* Warner Bros. Pictures
*Director:* Andy Wachowski, Larry Wachowski
*Writer:* Andy Wachowski, Larry Wachowski
*Scene:* 6 Unable to Speak
*Time:* 00:18:10
*Setting:* Agent Smith (Hugo Weaving) peruses a file on Thomas A. Anderson
during his interrogation of Neo (Keanu Reeves). He seeks his cooperation in
apprehending "terrorist" Morpheus (Laurence Fishburne) who is considered by
many authorities to be "the most dangerous man alive."
*Comment:* 1.1. The date of expiry on the passport is 11 Sep 01. 1.2. The
place of birth on the passport is Capital City, USA.
*Scene:* 12 The Real World
*Time:* 00:40:00
*Setting:* Morpheus reveals to Neo the "desert of the real" through the
television.
*Comment:* 2.1. The television screen shows the Twin Towers in ruins.

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38. Chuckie Finster's awkward dance routine.
*Rugrats in Paris: The Movie* (c) 2000 Paramount Pictures. Courtesy of
Paramount Pictures.

*Title:* *Rugrats In Paris: The Movie*
*Year of Release:* 2000
*Distributor:* Paramount Pictures
*Director:* Paul Demeyer, Stig Bergqvist
*Writer:* J. David Stem, David N. Weiss, Jill Gorey, Barbara Herndon, Kate
Boutilier
*Scene:* 1 The Bobfather
*Time:* 00:02:23
*Setting:* Chuckie Finster's shoelaces get tangled as he struggles to dance
at Lou and Lulu's wedding. *Comment:* 1.1. Finster counts along with the
beat, "Nine, eleven, twenty . . ." 1.2. Using inclusive counting
2000+(2+0=2)=2001.

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39. Adam Gibson peers into the mirror displaying his work schedule.
*The 6th Day* (c) 2000 Columbia Pictures. Courtesy of Columbia Pictures.

*Title:* *The 6th Day*
*Year of Release:* 2000
*Distributor:* Columbia Pictures
*Director:* Roger Spottiswoode
*Writer:* Cormac Wibberley, Marianne Wibberley
*Scene:* 2 Adam Gibson
*Time:* 00:04:40
*Setting:* Adam Gibson (Arnold Schwarzenegger) a pilot with Double X Charter
checks his schedule on his birthday.
*Comment:* 1.1. Two appointments are shown at 9:00 a.m. and 11:00 a.m. 1.2.
The Double X Charter logo resembles the Masonic Square and Compasses. 1.3.
According to various religious scholars September 11, 1999, marked the six
thousandth anniversary of the creation of Adam.

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40. A vanload of illicit drugs is intercepted and seized.
*Traffic* (c) 2000 USA Films. Courtesy of USA Films.

*Title:** Traffic*
*Year of Release:* 2000
*Distributor:* USA Films
*Director:* Steven Soderbergh
*Writer:* Stephen Gaghan
*Scene:* 1 Javier and Manolo Make a Bust
*Time:* 00:02:18
*Setting:* Mexican police officer Javier Rodriguez (Benicio Del Toro) and
his partner Manolo Sanchez (Jacob Vargas) pull over a van. They inspect its
contents and discover drugs.
*Comment:* 1.1. Imprinted on the boxes and drugs is 911. 1.2. The scorpion
is traditionally a symbol of death, disaster and
treachery.[7]<http://www.blogger.com/post-edit.g?blog ... 6071#_edn1>

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41. A chair Benjamin Martin has crafted is weighed in the balances.
*The Patriot* (c) 2000 Columbia Pictures. Courtesy of Columbia Pictures.

*Title:* *The Patriot*
*Year of Release:* 2000
*Distributor:* Columbia Pictures
*Director:* Roland Emmerich
*Writer:* Robert Rodat
*Scene:* 1 Start
*Time:* 00:03:29
*Setting:* Widowed father of seven and hero of the French and Indian War,
Benjamin Martin (Mel Gibson) weighs a chair he has crafted himself. He then
sits on it, but it collapses under his weight and he throws it against a
wall strewn with the remains of other defective chairs like it.
*Comment:* 1.1. Martin says, "Nine pounds, eleven ounces. That's perfect.
Perfect." 1.2. The chair is traditionally a symbol of power and authority.
[8]<http://www.blogger.com/post-edit.g?blog ... 6071#_edn1>
1.3.
The scales are traditionally a symbol of
judgment.[9]<http://www.blogger.com/post-edit.g?blog ... 6071#_edn2>

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42. The eye chart.
*Pearl Harbor* (c) 2001 Touchstone Pictures. Courtesy of Touchstone Pictures.

*Title:* *Pearl Harbor*
*Year of Release:* 2001
*Distributor:* Touchstone Pictures
*Director:* Michael Bay
*Writer:* Randall Wallace
*Scene:* 5 Medical Examination
*Time:* 00:12:21
*Setting:* Nurse Evelyn Johnson (Kate Beckinsale) conducts US Army officer
Rafe McCawley's (Ben Affleck) eye exam.
*Comment:* 1.1. The eye chart reads vertically 9/11/01. 1.2. The terrorist
attacks of 9/11 were referred to as "the second Pearl Harbor."

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43. A customs officer compares Axl Torvalds's passports.
*Swordfish* (c) 2001 Warner Bros. Pictures. Courtesy of Warner Bros. Pictures.

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44. The moment of impact the bus used as a getaway vehicle flies into the
side of an office tower. *Swordfish* (c) 2001 Warner Bros. Pictures. Courtesy
of Warner Bros. Pictures.

*Title:* *Swordfish*
*Year of Release:* 2001
*Distributor:* Warner Bros. Pictures
*Director:* Dominic Sena
*Writer:* Skip Woods
*Scene:* 3 Interception at LAX
*Time:* 00:08:58
*Setting:* Finn Axl Torvalds (Rudolf Martin) who is considered "the number
one hacker in the world" is intercepted at Los Angeles International
Airport. The customs officer finds a second passport in his briefcase and
holding it up compares the two.
*Comment:* 1.1. The date of expiry on the passport is 11/09/2000. 1.2. Using
inclusive or exclusive counting 2001+(0+0=0)=2001.
*Scene:* 20 War Costs
*Setting:* Gabriel (John Travolta) a former Mossad agent and CIA operative
hires Stanley (Hugh Jackman) an elite hacker to infiltrate a secret
government slush fund totalling over nine billion dollars. He discloses to
Stanley his hidden agenda is to wage preemptive war on foreign countries
harbouring potential terrorist groups with the avowed intent of protecting
the US from terrorist attack.
*Dialogue:*
GABRIEL. J. Edgar Hoover started a secret organization in the 1950s, called
Black Cell. This was to protect the freedoms of this country at all costs.
STANLEY. I don't care about any of this. All I care about is my daughter.
GABRIEL. I'm talking about your daughter. I'm talking about you, and your
daughter and 200 million other Americans who take their freedoms for
granted.
STANLEY. I see.
GABRIEL. You don't understand what it takes to protect those freedoms.
That's my job Stanley. To protect your way of life.
STANLEY. So you and your band of lunatics are really stealing all this money
just to protect little old me.
GABRIEL. That's right, Stanley. Because wars costs money.
STANLEY. War? Who are we at war with?
GABRIEL. Anyone who impinges on America's freedom. Terrorist states,
Stanley. Someone must bring their war to them. They bomb a church, we bomb
ten. They hijack a plane, we take out an airport. They execute American
tourists, we tactically nuke an entire city. Our job is to make terrorism so
horrific that it becomes unthinkable to attack Americans.
*Comment:* 2.1. The justification for state terrorism parallels the twisted
rationale behind the post-9/11 War on Terrorism.
*Scene:* 25 Bus That Could Fly
*Time:* 01:22:05
*Setting:* A bus used to escape the crime scene is airlifted across the city
and flies into the side of an office building where an advertising agency is
holding its meeting.
*Comment:* 3.1. The scene of the bus flying into a building parallels the
jolting scenes of airplanes flying into buildings on 9/11.

*Television*

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45. Cobra Commander and the Crimson Guard Twins escape to the Enterprise
Towers.
*Pyramid of Darkness* (c) 1985 Hasbro. Courtesy of Hasbro.

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46. G.I. Joe diverts course to avoid a collision with the Enterprise Towers.
*Pyramid of Darkness* (c) 1985 Hasbro. Courtesy of Hasbro.
<http://4.bp.blogspot.com/_n43648E_K9c/S ... 0-h/41.JPG>
47. The Enterprise Towers transform into a gantry and battle rocket.
*Pyramid of Darkness *(c) 1985 Hasbro. Courtesy of Hasbro.

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48. Debris falls from the Enterprise Towers.
*Pyramid of Darkness* (c) 1985 Hasbro. Courtesy of Hasbro.

*Title:* G.I. Joe: The Pyramid of Darkness
*Episode Title:* Knotting Cobra's Coils
*Season:* 1
*Episode:* 05
*Original Air Date:* September 20, 1985
*Broadcaster:* Syndicated
*Writer:* Ron Friedman
*Time:* 01:32:37; 01:32:39; 01:33:26; 01:33:27
*Setting:* Cobra, a ruthless terrorist organization intent on ruling the
world, hatches a plan to wipe out electrical power across the globe by
planting control cubes in strategic locations, including the City of the
Dead, the Devil's Playground, the Mountain of Glass and the Sea of Lost
Souls. With G.I. Joe hot on their heels, Cobra Commander and the Crimson
Guard Twins escape to the familiar-sounding Enterprise Towers where they fly
out to Cobra's secret headquarters.
*Comment:* 1.1. The near miss with Enterprise Towers eerily parallels the
terrorist attacks of September 11. 1.2. The transformation of Enterprise
Towers simulates the aftershocks of the attack when flying debris fell from
the Twin Towers as it collapsed in a heap of rubble.
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49. rankings on the Virtua Fighter 2 video game.
*The X-Files* (c) 1995 Twentieth Century Fox. Courtesy of Twentieth Century
Fox.

*Title:* *The X-Files*
*Episode Title:* D.P.O.
*Season:* 3
*Episode:* 03
*Original Air Date:* October 6, 1995
*Broadcaster:* Fox
*Director:* Kim Manners
*Writer:* Howard Gordon
*Scene:* 4 Darren Peter Oswald
*Time:* 00:10:07
*Setting:* FBI Special Agents Fox Mulder (David Duchovny) and Dana Scully
(Gillian Anderson) are investigating a series of electrical deaths in
Connerville, Oklahoma. They visit the Video Arcade where the latest victim
was struck and interrogate the owner Bart "Zero" Liquori (Jack Black) who
denies any knowledge. But, Mulder notices the initials of Darren Peter
Oswald (Giovanni Ribisi) the sole survivor of the recent lightning strikes
on the Virtua Fighter 2 video game and points out to Scully he was there
last night.
*Comment:* 1.1. Mulder points to rank two dated 09-11-95 11:35PM. 1.2. Using
exclusive counting 1995+(9+5+1+1+3+5=2(+)4=6)=2001.

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50. Lisa Simpson holds up a flyer advertising discount travel to New York
City via bus.
*The Simpsons* (c) 1997 Twentieth Century Fox. Courtesy of Twentieth Century
Fox.

*Title:* *The Simpsons*
*Episode Title:* The City of New York vs. Homer Simpson
*Season:* 9
*Episode:* 01
*Original Air Date:* September 21, 1997
*Broadcaster:* Fox
*Director:* Jim Reardon
*Writer:* Ian Maxtone-Graham
*Scene:* 3 "And That's When the C.H.U.D.s Came After Me"
*Time:* 00:06:29
*Setting:* Homer Simpson receives a letter from New York City informing him
that his car is illegally parked at the World Trade Center. He is reluctant
to retrieve it after a past experience there as a young man. The rest of the
family are excited, however, and holding up a flyer Lisa exclaims they can
all travel by bus.
*Comment:* 1.1. An eye-catching number nine above the New York City skyline
juxtaposed with the Twin Towers prominent in the background remarkably
resembles 911.

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51. The New New York City skyline.
*Futurama* (c) 1999 Twentieth Century Fox. Courtesy of Twentieth Century Fox.

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52. The Old New York City skyline.
*Futurama* (c) 1999 Twentieth Century Fox. Courtesy of Twentieth Century Fox.

*Title:* *Futurama*
*Episode Title:* Space Pilot 3000
*Season:* 1
*Episode:* 01
*Original Air Date:* March 28, 1999
*Broadcaster:* Fox
*Director:* Rich Moore, Gregg Vanzo
*Writer:* David X. Cohen, Matt Groening
*Scene:* 1 "Here's to Another Lousy Millennium!"
*Time:* 00:02:48
*Setting:* Phillip J. Fry is working as a pizza delivery boy in New York
City on December 31, 1999. After an accidental cryogenic freezing he awakes
on December 31, 2999 to find himself in New New York City.
*Comment:* 1.1. The restored Twin Towers with skybridge dominates the
futuristic city skyline.
*Scene:* 4 "We Have You Partially Surrounded!"
*Time:* 00:15:09
*Setting:* Fry and his new friends Turanga Leela and Bender adventure to Old
New York City.
*Comment:* 2.1. The partial remains of the Twin Towers overlook the decaying
ruins of Old New York City.

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53. Michael Pinocchio hesitates about travelling to New York City the site
of the nuclear attack.
*Harsh Realm* (c) 2000 Twentieth Century Fox. Courtesy of Twentieth Century
Fox.

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54. A post-apocalyptic New York City.
*Harsh Realm* (c) 2000 Twentieth Century Fox. Courtesy of Twentieth Century
Fox.

*Title:** Harsh Realm*
*Episode Title:* Camera Obscura
*Episode:* 09
*Original Air Date:* May 19, 2000
*Broadcaster:* FX
*Director:* Jeferey Levy
*Writer:* Steven Maeda
*Scene:* 3 Protection
*Time:* 00:06:14; 00:06:49
*Setting:* After a nuclear terrorist attack in New York City US Army
officers, Thomas F. Hobbes (Scott Bairstow) and Michael Pinocchio (D. B.
Sweeney) are hired as mercenaries by warring families feuding over a stash
of gold buried below the ruins of the Federal Reserve Bank of New York.
*Comment:* 1.1. New York City is referred to as "Ground Zero." 1.2. The Twin
Towers lie in ruins in the background.

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55. A commercial airplane flies directly towards the Twin Towers.
*The Lone Gunmen* (c) 2001 Twentieth Century Fox. Courtesy of Twentieth
Century Fox.

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56. The near miss with the World Trade Center.
*The Lone Gunmen* (c) 2001 Twentieth Century Fox. Courtesy of Twentieth
Century Fox.

*Title:* *The Lone Gunmen*
*Episode Title:* Pilot
*Episode:* 01
*Original Air Date:* March 4, 2001
*Broadcaster:* Fox
*Director:* Rob Bowman
*Writer:* Chris Carter, Vince Gilligan, John Shiban, Frank Spotnitz
*Scene:* 11 No Longer a Game
*Setting:* Former Air Force employee Bertram Byers (George Coe) comes out of
hiding to warn his son John Fitzgerald Byers (Bruce Harwood) about the
impending realization of Scenario 12-D.
*Dialogue:*
BERTRAM BYERS. John.
JOHN FITZGERALD BYERS. Dad. (*He walks over to his father smiling. His
father slaps him across the face.*)
BERTRAM BYERS. What the hell are you doing? Why can't you stay out of this,
leave me buried?
JOHN FITZGERALD BYERS. What is Scenario 12-D? We know it's a war-game
scenario, that it has to do with airline counterterrorism. Why is it
important enough to kill for?
BERTRAM BYERS. Because it's no longer a game.
JOHN FITZGERALD BYERS. But if some terrorist group wants to act out this
scenario, why target you for assassination?
BERTRAM BYERS. It depends on who your terrorists are.
JOHN FITZGERALD BYERS. The men who conceived of it in the first place.
You're saying our government plans to commit a terrorist act against a
domestic airline?
BERTRAM BYERS. There you go. Indicting the entire government, as usual. It's
a faction, a small faction.
JOHN FITZGERALD BYERS. For what possible gain?
BERTRAM BYERS. The Cold War's over, John. But with no clear enemy to
stockpile against, the arms market's flat. But bring down a fully loaded 727
into the middle of New York City, and you'll find a dozen tin-pot dictators
all over the world just clamouring to take responsibility, and begging to be
smart-bombed.
JOHN FITZGERALD BYERS. I can't believe it. This is about increasing arms
sales?
BERTRAM BYERS. Mmhmm.
*Comment:* 1.1. The outline of Scenario 12-D eerily parallels the terrorist
attacks of 9/11.
*Scene:* 14 Octium Inside
*Time:* 39:04; 39:31
*Setting:* Having boarded Atlantic National Flight 265 Byers Sr. and Jr.
learn that the airplane has been commandeered via remote control and alert
the crew to the situation. As the airplane nears its target they regain
manual override and barely miss hitting the World Trade Center.
*Comment:* 2.1. The scene of the airplane closing in on and narrowly missing
the South Tower of the World Trade Center disturbingly parallels the
terrorist attacks of 9/11.

*Art*

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57. Alex Grey, Gaia, 1989. Oil on linen, 96 x 144 in. Chapel of Sacred
Mirrors, New York.

*Title:* *Gaia*[10]<http://www.blogger.com/post-edit.g?blog ... 6071#_edn1>
*Artist:* Alex Grey
*Year:* 1989
*Comment:* 1.1. On the left side of the Tree of Life a gloomy vision of New
York City with the Twin Towers prominent in the background as two airplanes
fly over.

<http://4.bp.blogspot.com/_n43648E_K9c/S ... 0-h/29.jpg>
58. Boris Vallejo, Eahnah's Window, 1997. Oil on canvas, 18 x 18 in.

*Title:* *Eahnah's Window*
*Artist:* Boris Vallejo
*Year:* 1997
*Text:*
The Sagas of A Fwa Nes
Eahnah—called witch by some, master scientist by others—has perfected a
device that she calls a "window." It permits her to stay safe in A Fwa Nes
while viewing a limited portion of Earth. The "window" is near the weak
place in the space-time fabric, the opening through which Mlenfee entered
Earth's universe and ventured in Manhattan. Eahnah has been called to help
rid the city of the Wargi, and she is just now destroying, by mental means,
a major tower whose present occupants, all Wargi monsters, will soon be
dead. Unfortunately, and ironically, all the heat released will cause a new
Ice Age—within a few years, not
millennia.[11]<http://www.blogger.com/post-edit.g?blog ... 6071#_edn1>
*Comment:* 1.1. In the window, not unlike a crystal ball, the Twin Towers
stand ablaze.

*Book*

*Title:* *On the Road*
*Author:* Jack Kerouac
*Publisher:* Viking
*Year of Publication:* 1957
*Text:*
When daybreak came we were zooming through New Jersey with the great cloud
of Metropolitan New York rising before us in the snowy distance. Dean had a
sweater wrapped around his ears to keep warm. He said we were a band of
Arabs coming in to blow up New
York.[12]<http://www.blogger.com/post-edit.g?blog ... 6071#_edn2>
*Comment:* 1.1. The scenario paralleling the terrorist attacks of 9/11 still
retains an as yet unfulfilled component whose ultimate reality is not
impossible.

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59. Cover of Thirty Seconds Over New York.
Reprinted from Robert Buchard, *Thirty Seconds Over New York* (New York:
Belmont Tower Books, 1970), front cover.

*Title:* *Thirty Seconds Over New York*
*Author:* Robert Buchard
*Publisher:* Belmont Tower Books
*Year of Publication:* 1970
*Cover Artist:* Unknown
*Text:*
Holocaust: For years the fanatical Red Chinese colonel had burned with
hatred for the Western countries. Now, at last, he had devised a fantastic
but completely workable plan whereby an ordinary jet airliner could carry an
armed nuclear bomb right through the multi-billion dollar American defense
system. Nothing had been left to chance. Millions of people would die in one
titanic flash of fire. All systems were Go—and the target was the greatest
city in the world. New
York![13]<http://www.blogger.com/post-edit.g?blog ... 6071#_edn1>
*Comment:* 1.1. A commercial airplane carrying an armed nuclear bomb flies
directly towards the Twin Towers.

<http://2.bp.blogspot.com/_n43648E_K9c/S ... 0-h/27.jpg>
60. Cover of Sewer, Gas and Electric: The Public Works Trilogy.
Reprinted from Matt Ruff, *Sewer, Gas and Electric: The Public Works Trilogy
* (New York: Atlantic Monthly, 1997), front cover.

*Title:* *Sewer, Gas and Electric: The Public Works Trilogy*
*Author:* Matt Ruff
*Publisher:* Atlantic Monthly
*Year of Publication:* 1997
*Cover Artist:* Elaine Cardella
*Comment:* 1.1. A UFO strikes the South Tower of the World Trade Center.

*Comic*

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61. While touring New York City Rachel Summers foresees the future
destruction of the Twin Towers.
Reprinted from Chris Claremont, John Romita Jr. and Steve Leialoha, "Two
Girls Out to Have Fun!" *The Uncanny X-Men* 1, no. 189 (January 1985): 2?3.

*Title:* *The Uncanny X-Men: "Two Girls Out to Have Fun!"*
*Publisher:* Marvel Comics
*Volume:* 1
*Number:* 189
*Issue:* January 1985
*Creator:* Stan Lee, Jack Kirby
*Writer:* Chris Claremont
*Artist:* John Romita Jr. (Penciler); Steve Leialoha (Inker)
*Text:*
Amara Juliana Olivians Aquilla is a child of Nova Roma, a city founded
nearly 2,000 years ago by a party of expatriate Romans, in the Andean
highlands that spawn the headwaters of the Amazon.
In a sense, her companion Rachel Summers hasn't even been born yet. The New
York she remembers is that of the 21st century.
And the memories aren't pleasant.
In her mind's eye, she sees lower Manhattan burning.
The Twin Towers of the World Trade Center lie in ruins. Thousands are dead,
many more injured. Rachel's a telepath.
Even though she's over a mile away, aboard a navy hydrofoil, she hears their
screams, feels their pain . . . and their
deaths.[14]<http://www.blogger.com/post-edit.g?blog ... 6071#_edn1>
*Comment:* 1.1. An airplane flies over the Twin Towers in the background.
1.2. Rachel foresees the Twin Towers of the twenty-first century smoldering
in a heap.

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62. "The Castle."
Reprinted from Pepe Moreno, *Rebel* (New York: Catalan Communications,
1986), 51.

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63. A vanload of explosives are detonated demolishing the tower.
Reprinted from Pepe Moreno, *Rebel* (New York: Catalan Communications,
1986), 67.

*Title:* *Rebel*
*Author:* Pepe Moreno (Story); Robb Hingley, Pete Ciccone, Kenny Sylvester
(Script)
*Artist:* Pepe Moreno
*Publisher:* Catalan Communications
*Year of Publication:* 1986
*Text:*
The Tower, one of the only landmarks still recognizable, is doll's fortress.
It is a castle in a kingdom of terror. No intruder has ever lived to tell
the tale. It is a monolith of pain and hate, and on the top of it, Lori.
Alone, exposed to the elements she
waits.[15]<http://www.blogger.com/post-edit.g?blog ... 6071#_edn1>
*Text:*
BRRRUUUMMMM
KA-BOOM!
RUMMBLE!
Like an earthquake, the explosion rocks the city. With its' foundation blown
away, the symbol of oppression collapses in a cloud of dust.
RRUUMMMMBLEE!![16]<http://www.blogger.com/post-edit.g?blog ... 6071#_edn2>
*Comment:* 1.1. The story is set in post-civil war New York City in 2002.
1.2. The South Tower of the World Trade Center lies in ruins. The North
Tower stands alone occupied by a gang of skinheads. 1.3. Rebel and his
allies transport a van full of explosives along the abandoned subway tunnels
to destroy the building and rescue Lori.
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64. Lower Manhattan devastated in the wake of Galvatron's conquest.
Reprinted from Simon Furman, Jose Delbo and Danny Bulanadi, "Rhythms of
Darkness!" *Transformers *1, no. 67 (June 1990): 2?3.

*Title:* *Transformers: "Rhythms of Darkness!"*
*Publisher:* Marvel Comics
*Volume:* 1
*Number:* 67
*Issue:* June 1990
*Creator:* Hasbro
*Writer:* Simon Furman
*Artist:* Jose Delbo (Penciler); Danny Bulanadi (Inker)
*Text:*
. . . in the year 2009!
"My symphony of terror!"
Welcome to the future. One of many possible futures but the future
nonetheless!
It is a future where the Decepticons rule, where the pulse of life, of
light, has been smothered by . . . rhythms of
darkness![17]<http://www.blogger.com/post-edit.g?blog ... 6071#_edn1>
*Comment:* 1.1. The story is set in New York City in 2009. 1.2. In the wake
of Galvatron's conquest Rodimus Prime lies hanging in between the shattered
remains of the Twin Towers.

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65. A statue in honor of Francisco Ibanez is raised alongside the Statue of
Liberty in New York City.
Reprinted from Francisco Ibanez, *Las Aventuras de Mortadelo y Filemon: El
35 Aniversario* (Barcelona: Ediciones B, 1993), 46.

*Title:* *Las Aventuras de Mortadelo y Filemon El 35 Aniversario *
*Publisher:* Ediciones B
*Issue Number:* Magos del Humor no. 46, Ole no. 77, Super Humor no. 1 (1993)
*Creator:* Francisco Ibanez
*Writer:* Francisco Ibanez
*Artist:* Francisco Ibanez
*Text:*
Y al cumplirse el 35 aniversario de Mortadelo y Filemon, los de ediciones B
decidieron regalarle al preclaro autor, (preclaro sobre todo por el lado del
craneo), una estatuilla con su egregia efigie. Lastima que el escultor
confundio las medidas, tomo por metros loque eran centimetres, y el autor
ese no pudo colocarlo en la mesilla de su studio, por lo que se le busco
otra ubicacion para mofa y pitorreo de las generaciones venideras . . . iy
que usted tambien lo vea!
Pues usted dira lo que quiera, pero yo creo que no debio emperrarse en
soltar su discursillo de agradecimiento subido en lo alto de la salchicha .
. . iy menos con el ventarron que corria por alla,
oiga![18]<http://www.blogger.com/post-edit.g?blog ... 6071#_edn1>
*Comment:* 1.1. An airplane crashes into the South Tower of the World Trade
Center in the background.

*Magazine*

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66. Committee for a Reasonable World Trade Center advertisement.
Reprinted from *New York Times*, May 2, 1968.

*Title:* *New York Times*
*Publisher:* New York Times Company
*Volume:* 117
*Number:* 40276
*Issue:* May 2, 1968
*Advertisement:* Committee for a Reasonable World Trade Center
*Text: *
The Mountain Comes to Manhattan
We are a strange and mysterious people.
We build cars to cruise at 100 m.p.h., then try to make everybody keep them
under 50.
We build airports that can handle gigantic jets but can't handle our
luggage.
We undertake great projects with enthusiasm and never consider the
consequences until we're choking on them.
Consider the case of the "Mountain" being built downtown.
New York's air traffic patterns are perilously overburdened. Life magazine
reports this. So does the New York Times. And the President of the Allied
Pilots Assn., who speaks for 3500 commercial pilots, is "deeply concerned
over the safety problems arising out of traffic congestion in this area."
"Safe navigation," he says, "includes not only planned flight patterns, but
also provisions for unforeseen and uncontrolled diversions."
Yet the Port of New York Authority is trying to build a trade center which,
according to this pilot, adds an additional risk to air navigation."
Its two towers are scheduled to be 1350 feet high. But at that height they
will so thoroughly foul up TV reception that the Port Authority has agreed
to top them out with new TV broadcasting facilities. By the time antennas
are added, the North Tower, according to one TV expert, will be close to
1700 feet high . . . 800 feet taller than anything else in the immediate
area!
This means, according to the Federal Aviation Administration, that air
traffic patterns will have to change, landing approaches will have to be
altered, minimum altitudes in the area will be affected. The total potential
hazard is staggering. No wonder airline pilots feel the risk is unjustified.
Unfortunately, we rarely recognize how serious these problems are until it's
too late to do anything.
But in this case, there's still time.
The problem can be solved by keeping the height of the Trade Center at 900
feet.
The one problem that hasn't been solved is how to convince the Executive
Director of the Port Authority to scale down his dreams so it will coincide
with the public interest.
Governor Rockfeller, the man he calls, "my boss," is the one man in a
position to say "900 feet" and make it stick.
If you're concerned about TV reception and safe air travel, write to the
Governor today. Before it's too late.
Govenor Nelson A. Rockefeller
22 West 55th Street, NY 10019
He's the only man who has the power to keep the "Mountain" from coming to
Manhattan.

pokerkid
Site Admin
Posts: 7781

last

Post#5 » Thu Feb 19, 2009 5:07 pm

Committee for a Reasonable World Trade Center
450 Seventh Avenue, NY 10001
(212) Judson 2-3931
Lawrence A. Wein, Chairman Robert Kopple, Executive
Director[19]<http://www.blogger.com/post-edit.g?blog ... 6071#_edn1>
*Comment:* 1.1. An airplane flies sideways directly towards the Twin Towers.
1.2. The headline, "The Mountain Comes to Manhattan" is based on the phrase,
"If the mountain won't come to Muhammed, Muhammed will go to the mountain"
with the World Trade Center representing Muhammed's mountain.
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67. Pakistan International Airlines advertisement.
Reprinted from *Le Point*, March 19, 1979.

*Title:* *Le Point *
*Publisher:* Gaumont
*Number:* 339
*Issue:* March 19, 1979
*Advertisement:* Pakistan International Airlines
*Text:*
New York via Pakistan International. Une des quelques companies desservant
directement New York. Depart d'Orly Sud, offrant les meilleures
correspondances avec les villes de province. Une nouvelle preuve de
l'efficacite PIA.
PIA est une compagnie internationale au developpement spectaculaire: 3000000
de passagers cette annee, un decollage toutes les 6 minutes.
Un succes soigneusement construit sur la satisfaction des passagers.
Pour un vol reussi, vers
New York ou 60 autres grandes metropoles
dans le monde, partez via
PIA.[20]<http://www.blogger.com/post-edit.g?blog ... 6071#_edn1>
*Comment:* 1.1. A shadow of an airplane is cast over the World Trade Center.

<http://2.bp.blogspot.com/_n43648E_K9c/S ... 0-h/19.jpg>
68. Cover of *Fortune* magazine.
Reprinted from *Fortune*, December 7, 1987.

*Title:* *Fortune*
*Publisher:* Time, Inc.
*Volume:* 116
*Number:* 13
*Issue:* December 7, 1987
*Cover Artist:* Robert Crawford
*Comment:* 1.1. A paper airplane made out of an American dollar bill flies
by the World Trade Center leaving a contrail in the formation of the letter
S. 1.2. The contrail together with the Twin Towers forms a dollar sign
connoting S11 or September 11.

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69. Elite Candy advertisement.

*Title:* Unknown
*Publisher:* Unknown
*Volume:* Unknown
*Number:* Unknown
*Issue:* ca. 1997-2000
*Advertisement:* Elite Candy
*Comment:* 1.1. A Tower Air airplane flies directly towards the Twin Towers.

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70. Maker's Mark advertisement.

*Title:* Unknown
*Publisher:* Unknown
*Volume:* Unknown
*Number:* Unknown
*Issue:* ca. May 2000
*Advertisement:* Maker's Mark
*Comment:* 1.1. The Maker's Mark "signature" of overpoured red wax bleeds
down the Twin Towers. 1.2. The slogan, "Mark of a great town" connotes what
it is best remembered for.

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71. Command and Conquer: Red Alert 2 advertisement.
Reprinted from *FHM*, September 2000.

*Title:* *FHM*
*Publisher:* Bauer Verlagsgruppe
*Number:* 128
*Issue:* September 2000
*Advertisement:* Command and Conquer: Red Alert 2
*Comment:* 1.1. Military aircraft fly over the Statue of Liberty and the
Twin Towers as bombs explode below. 1.2. The slogan, "Paint the town red"
connotes unruly and riotous behaviour, which results in much blood being
spilt.

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72. Cover of New York magazine.
Reprinted from *New York*, March 12, 2001.

*Title:* *New York*
*Publisher:* New York Media
*Volume:* 34
*Number:* 10
*Issue:* March 12, 2001
*Cover Artist:* Tim Gabor
*Comment:* 1.1. The Twin Towers are used as an icon for prime New York City
real estate juxtaposed with the expression of terror and the ambiguous
question, "Is there life beyond the boom?"

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73. General Electric advertisement.
Reprinted from *Brava Casa*, April 2001.

*Title:* *Brava Casa*
*Publisher:* RCS Periodici
*Volume:* 28
*Number:* 04
*Issue:* April 2001
*Advertisement:* General Electric
*Text:*
I frigoriferi General Electric d'acciaio
Le speciali coperture in acciaio inox sono realizzate in acciaio AISI 304:
uno dei migliori acciaio del mondo!
Con questo acciaio sono pannellabili tutti i frigoriferi General Electric:
dal modello Side-by-Side con spigoli arrotondati sulle porte e sul top, al
modello Top Freezer con porte bombate che ricordano lo stile degli anni '50.
Inoltre e possibile far riprodurre sulle porte—da un vero artista—qualsiasi
disegno aerografato da Voi desiderato.
Scegliete un frigorifero General Electric pannellato acciaio, scegliete
qualita, affidabilita e un design insuperabile!

Frigo 2000 S.r.l.
Viale Fulvio Testi, 125-20092 Cinisello Balsamo MI
Tel. 02/66047147 (5 linee r.a.) Fax 02/66047260
E-mail: frigoge@tin.it
Web: www.frigo2000.it
Distributore Esclusivo Per
L'Italia[21]<http://www.blogger.com/post-edit.g?blog ... 6071#_edn1>
*Comment:* 1.1. The mural on the door of the right fridge depicts an
airplane flying towards the Twin Towers.

*Game
*
<http://1.bp.blogspot.com/_n43648E_K9c/S ... 0-h/13.gif>
74. "Terrorist Nuke" card from Illuminati: New World Order.

*Title:* *Illuminati: New World Order*
*Designer:* Steve Jackson
*Publisher:* Steve Jackson Games
*Card Title:* Terrorist Nuke
*Type:* Plot
*Artist:* Dan Smith, Derek Pearcy (Colouring)
*Year:* 1994
*Comment:* 1.1. One of several controversial cards in the 412 set depicting
a terrorist attack on an urban landmark, which resembles the moment of
impact the Twin Towers were struck on 9/11.

*Music*

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75. A rocket ship flies in between the Twin Towers as the doll makes his way
to work.
"Truth Is Out of Style." Written by Mark Griffin. Performed by MC 900 Ft.
Jesus. Courtesy of Nettwerk.

*Song Title:* "Truth Is Out of Style"
*Album Title:* Hell With the Lid Off
*Band:* MC 900 Ft. Jesus
*Label:* Nettwerk Records
*Released:* February 19, 1990
*Time:* 00:3:30
*Comment:* 1.1. A rocket ship flies between the Twin Towers.

<http://1.bp.blogspot.com/_n43648E_K9c/S ... 0-h/11.jpg>
76. Album cover of *The Sun Rises In the East*.
Reprinted from Jeru the Damaja, *The Sun Rises In the East*, PayDay Records
769712401122.

*Title:* *The Sun Rises In the East*
*Band:* Jeru the Damaja
*Label:* PayDay Records
*Released:* May 24, 1994
*Comment:* 1.1. The Twin Towers are completely engulfed in flames. 1.2. The
cover title, "The sun rises in the east" connotes a new beginning.

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77. Album cover of *Disappearing Inc.*
Reprinted from Bone Machine, *Disappearing Inc.*, Big Disc Music
106985180529.

*Title:* *Disappearing Inc.*
*Band:* Bone Machine
*Label:* Big Disc Music
*Released:* 1996
*Comment:* 1.1. The North Tower has collapsed into the SouthTower of the
World Trade Center. 1.2. The cover title, "Disappearing, Inc." connotes the
eventual disappearance of New York City landmarks.

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78. Album cover of *To Live and Die In New York City*.
Reprinted from Indecision, *To Live and Die In New York City*, Exit Records
766815501322.

*Title:* *To Live and Die In New York City*
*Band:* Indecision
*Label:* Exit Records
*Released:* July 22, 2000
*Comment:* 1.1. The New York Harbor and the Twin Towers in the background
are completely engulfed in flames. 1.2. The cover title, "To live and die in
New York City" connotes the ultimate outcome for imitating the hedonistic
lifestyle.

<http://2.bp.blogspot.com/_n43648E_K9c/S ... 00-h/8.jpg>
79. Album cover of *Bombs Over Broadway*.
Reprinted from Squad Five O, *Bombs Over Broadway*, Tooth and Nail Records
0647077116922.

*Title:* *Bombs Over Broadway*
*Band:* Squad Five O
*Label:* Tooth and Nail Records
*Released:* August 15, 2000
*Comment:* 1.1. A squadron of military aircraft fly by the Twin Towers and
bomb the main theater district of Broadway.

<http://3.bp.blogspot.com/_n43648E_K9c/S ... 00-h/7.jpg>
80. Album cover of *Live 07.04.1462*.
Reprinted from Tele Trieste, *Live 07.04.1462*, Insekt Angelica

*Title:* *Live 07.04.1462*
*Band:* Tele Trieste
*Label:* Insekt Angelica
*Released:* 14 June 2001
*Comment:* 1.1. A couple of airplanes fly head on over New York City
adjacent to the Twin Towers.

<http://2.bp.blogspot.com/_n43648E_K9c/S ... 00-h/6.jpg>
81. Album cover of *Time to Explode*.
Reprinted from Inner City Hustlers, *Time to Explode*, Boss Hoggin
Entertainment 804932717520.

*Title:* Time to Explode
*Band:* Inner City Hustlers
*Label:* Boss Hoggin Entertainment
*Released:* July 10, 2001
*Comment:* 1.1. The Twin Towers are exploding in flames in the background.
1.2. The cover title, "Time to explode" connotes conditions are perfect for
destruction.

<http://2.bp.blogspot.com/_n43648E_K9c/S ... 00-h/5.jpg>
82. Album cover of *Out of the Loop*.
Reprinted from I Am the World Trade Center, *Out of the Loop*, Kindercore
Records 675818003828.

*Title:* *Out of the Loop*
*Band:* I Am the World Trade Center
*Label:* Kindercore Records
*Released:* July 17, 2001
*Comment:* 1.1. The eleventh track of the debut album is titled "September."
1.2. The cover title, "Out of the loop" connotes not having knowledge of or
involvement in something.

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83. Album cover of *Party Music*.
Reprinted from Wikipedia, s.v. "Party Music,"
http://en.wikipedia.org/wiki/Party_Music (accessed November 4, 2007).

*Title:* *Party Music*
*Band:* The Coup
*Label:* 75 Ark Records
*Released:* November 6, 2001
*Comment:* 1.1. Boots Riley holds a digital chromatic tuner imprinted with
"Covert-Labs" on it and presses a red button causing the Twin Towers to
explode in the background. 1.2. The cover artwork was completed in June
2001.

*Currency*

<http://2.bp.blogspot.com/_n43648E_K9c/S ... 00-h/3.jpg>
84. An American $20 bill folded to resemble smoke rising from the World
Trade Center and the Pentagon.
Reprinted from Kenn Thomas, *The Conspiracy Files: Evidence Behind the
World's Most Notorious Theories* (Sydney: Murdoch Books, 2007), 51.

<http://3.bp.blogspot.com/_n43648E_K9c/S ... 00-h/2.jpg>
85. The Kennedy assassination bill.
Reprinted from *Mysteries of the Unexplained: How Ordinary Men and Women
Have Experienced the Strange, the Uncanny and the Incredible* (New York:
Readers Digest Association, 1982), 65.

Soon after the terrorist attacks of 9/11 it was widely circulated that a
Series 1998 US $20 bill folded into a paper plane would make "the buildings
and symbols on the currency resemble smoke rising from the World Trade
Center and the Pentagon."[22]<http://www.blogger.com/post-edit.g?blog ... 6071#_edn1>
This
fascination with the link between national events and currency follows a
pattern set over three decades ago with the Kennedy assassination bill, a
Series 1963 US $1 bill issued in Dallas, Texas, only two weeks before the
assassination of US president John F. Kennedy. Since Dallas is the location
of the eleventh of the twelve Federal Reserve Bank districts, the bill bears
the letter K, the eleventh letter of the alphabet, and the number eleven
appears in each corner. The serial number begins with K and ends with A,
standing for Kennedy Assassination. Eleven also stands for November, the
eleventh month of the year; two eleven's equal twenty-two, the date of the
tragedy. And the series number is 1963, the year the assassination occurred.
[23]<http://www.blogger.com/post-edit.g?blog ... 6071#_edn2>

*Conspiracy Theory Predictions*

Milton William Cooper, bestselling author of Behold a Pale Horse and
labelled "the most dangerous radio host in America" by former US president
Bill Clinton,[24]<http://www.blogger.com/post-edit.g?blog ... 6071#_edn3>
in
his June 28, 2001, broadcast of his radio show Hour of the Time cited
frenzied media reports warning of an impending attack on the United States
by Osama Bin Laden's Al Qaeda network. He anticipated the threat would be
ultimately realized and its outcome, which he believed would entail an
encroachment of civil liberties, would prove the real masterminds behind the
terror.

Ladies and gentlemen have you been paying attention to the news lately?
After the anniversary of the Oklahoma City Bombing we were bombarded with
anti-patriot, anti-militia, anti-constitionalist (that's people who believe
in the Constitution for the United States of America) anti-American
propaganda. And then when the execution of Timothy McVeigh occurred, once
again, prior to and immediately following, the same thing occurred again and
this word "extremist" was used over and over and over and over and over and
over and over and over and over and over again. And now we're being
bombarded with messages that Osama Bin Laden is planning to attack the
United States of America and Israel. And I'm telling you be prepared for a
major attack, but it won't be Osama Bin Laden it will be those behind the
New World Order who once again want to take the guns and the freedom away
from the American people because we're the only ones left in the world who
can oppose the destruction of freedom in the world and the implementation of
a one-world, totalitarian, socialist government and that is the goal. . . .
. . . They're doing the same thing today with Osama Bin Laden and that's
where I've been getting at. Can you believe what you have been seeing on CNN
today ladies and gentlemen? Can you believe it? Supposedly a CNN reporter
found Osama Bin Laden, took a television camera crew with him, went into
Osama Bin Laden's hideout, interviewed him and his top leadership, his top
lieutenants and colonels and generals, in their hideout. This is a CNN
reporter with a camera crew. And he came out and told everybody within three
weeks Osama Bin Laden is going to attack the United States and Israel. Now
don't you think that's kinda strange folks? You see, because the largest
intelligence apparatus in the world with the biggest budget in the history
of the world has been looking for Osama Bin Laden for years and years and
years and can't find him. The FBI also, under the leadership of Louis Freeh,
has been looking for Osama Bin Laden for years and years and years and years
and years and many years and can't find him. Some dufus jerk off reporter
with a camera crew waltzes right into his hideout and interviews him. And do
you know what his budget is? Zip, zilch, nothing. Now that tells us two
things. Either everyone in the intelligence community and all of the
intelligence agencies of the United States government are blithering idiots
and incompetent fools, including the entire apparatus of the FBI and all of
their personnel. Or their lying to us, they're not looking for him at all.
And the second is the truth. You see the CIA created Osama Bin Laden. They
recruited him. They trained him. They found his leadership.They brought them
all together. They showed him . . . them . . . how to fight the Soviet Union
in Afghanistan and when that was over they still continued to fund him and
train him. And they're now using him to help bring about world government by
making him the big bogeyman because they can't use Saddam Hussein anymore. .
. .
. . . So why do all these fools believe this charade that a CNN reporter and
his little camera crew can do what all the money and all the assets and all
the eavesdropping and all the intelligence and all the satellites and all
the undercover operatives in the world can never do? It's because they're
not trying, they don't want to, Osama Bin Laden is their creation and he is
serving them well. . . . Do you know how much money the CIA and the National
Security Agency and the FBI has at its disposal each year? Do you know how
many agents they have that they can devote to this? Do you realize the
technology that they have to be able to eavesdrop on every single
conversation in the world no matter how it's transmitted? And pinpoint the
location of every one of those transmissions? And they can't find Osama Bin
Laden? But, some CNN reporter he just waltzes right on in there with his
camera crew, just like he knew where they were all the time. Bet you it was
the CIA that sent him there. They told him where he was. And of course they
know where he is because they created him, they're the ones that are funding
him and backing him and helping him to create their new utopian world. . . .
. . . I wonder what Osama Bin Laden's targets are supposed to be? And if
they don't, you know, if this doesn't materialize in the next two or three
weeks it will eventually materialize because they haven't succeeded in
getting the guns out of the hands of the American people nor have they
succeeded in taking our freedoms away. In fact, there's been a great
awakening in this country and a big backlash against these Marxist,
Communist, pukefaced, lying, subversive, Nazi, jackbooted, gestapo thugs
that is gaining momentum. And so I can tell you with a certainty they must
do something terrible in order to stop this backlash and regain the sympathy
of the mass herds of sheeple out there. . . .
. . . And supposedly we're not the only nation searching for Osama Bin Laden
so the vast economic resources, the vast technological resources, the vast
personnel resources, the vast networks and intricate web spun over all these
years by the CIA, the FBI and the NSA can't find Osama Bin Laden, but CNN
can? Bullshit! [25]<http://www.blogger.com/post-edit.g?blog ... 6071#_edn4>

Alex Jones, bestselling author and documentary filmmaker, launched the
campaign, "Operation Expose the Government Terrorists" on the July 25, 2001,
broadcast of his cable access television show, Infowars, based out in
Austin, Texas. Warning of globalist plans to use their operative Osama Bin
Laden to attack the US he "encouraged people to call the White House and
tell them not to go ahead and launched [*sic*] the staged terror attack that
would become the foundation of their push for martial
law."[26]<http://www.blogger.com/post-edit.g?blog ... 6071#_edn5>

Hello ladies and gentlemen, I'm so glad that you could join us today for
this Wednesday July 25, 2001, broadcast. . . .
. . . Tyranny is enveloping the globe and the United States is the shining
jewel the globalists want to bring down and they will use terrorism as the
pretext to get it done. . . . I'm gonna put the call out that you call the
White House and tell them, look we've seen the news stories that you've
wanted to blow things up and that you have blown things up and that you're
saying that four million of us are gonna die and we need martial law, in the
Associated Press, in one of your little "drills" you had. And that we're
aware of who the terrorists are if you pull this. This can stop this
Hitlerian Reichstag event. . . .
. . . I want to put the toll free number up for Congress. And I won't want
you to believe Alex Jones. I want you to go get these news stories off my
website. I want you to call these major newspapers. I want you to find out
these statements were true by the White House about preparing for martial
law and I want you to let them know that if there is any terrorism we know
who to blame. . . .
. . . The point is if any terrorism comes it's from this government. And if
there was an outside threat like a "Bin Laden" who was a known CIA asset in
the '80s running the mujahideen war and whose family builds all the military
bases over in Saudi Arabia right now and sits with the Board of Iridium
Satellite. He's the bogeyman they need in this Orwellian phony system. . . .
. . . A big part of this solution—after you research all the government
terrorism and check out what I'm saying is true—call the White House and
tell them, we know the government's planning terrorism. We know Oklahoma
City and World Trade Center was terrorism. We know the Joint Chiefs of Staff
wanted to blow up airliners, Baltimore Sun. If you do it we're gonna blame
you 'cause we know who's up to it. Or if you let some terrorist group do it
like the World Trade Center we know who to blame. And you could save the
planet. I'm calling it Operation Expose the Government Terrorists because
now there going from killing 160 people in Oklahoma City and eighty-one in
Waco and a couple dozen, injuring a thousand at the World Trade Center to
saying one to four million, Associated Press. . . . We'll be right back with
your calls. Thank you for staying with us. I'm Alex Jones and . . . I'm not
putting this in a bad light I'm simply stating what's
happening.[27]<http://www.blogger.com/post-edit.g?blog ... 6071#_edn6>

*Psychic Predictions
*
<http://1.bp.blogspot.com/_n43648E_K9c/S ... 00-h/1.JPG>
86. David Mandell holding a drawing of his premonition of the September 11,
2001, terrorist attacks.
*Real Premonitions* (c) 2007 TriStar Pictures. Courtesy of TriStar Pictures.

A retired art lecturer at London Guildhall University, David Mandell is
today renowned for his paintings of precognitive dreams, which he claims to
have had since a child. In an effort to silence detractors after sketching
or painting what he has dreamed he will visit his local Barclays Bank in
Sudbury Hill, Harrow, north London, to photograph the pictures beside the
time and date of the display counter.

His premonitions predominantly deal with disaster "in a wide variety of
manifestations," including earthquakes, floods, shipwrecks, plane crashes
and even assassinations.[28]<http://www.blogger.com/post-edit.g?blog ... 6071#_edn1>
He
foresaw the Armenian earthquake in 1988 barely a fortnight before it struck,
the Marchioness sinking over twelve months in advance and the Concorde crash
more than three years prior to the tragedy. During the small hours of
September 11, 1996, he had a dream "about the Statue of Liberty and saw the
Twin Towers of the World Trade Center collapsing into each other as if
'embracing.' Later that day, his drawing was photographed by Avi Sharma, a
member of the bank
staff."[29]<http://www.blogger.com/post-edit.g?blog ... 6071#_edn2>

Unlike his ordinary dreams these "major event" premonitions are different
altogether. "They are vivid, longish and nearly always in colour. I have a
particular sense of place, even if I have never
been."[30]<http://www.blogger.com/post-edit.g?blog ... 6071#_edn3>
An
understanding of dream symbolism is also crucial to interpreting what the
premonitions might portend. "If I dream now of a World War II British
history fighter, the Hurricane, I know there's going to be a terrible wind
or hurricane because I'm given the symbol of a hurricane. It's happened
about eight times, and it's come right every single time. . . . When you get
things like that, I know it's a premonition dream of the future, something
fairly big is gonna
happen."[31]<http://www.blogger.com/post-edit.g?blog ... 6071#_edn4>

He rejects the notion, however, that "haphazard brain activity" lies at the
root of his visions.[32]<http://www.blogger.com/post-edit.g?blog ... 6071#_edn5>
"It
must come from some intelligence source. I can only think it is from a
spiritual dimension. . . . I am sure all of us are sent dreams, through some
sort of television system, but only a few people like me take any notice.
Most will just dismiss them and they will be
forgotten."[33]<http://www.blogger.com/post-edit.g?blog ... 6071#_edn6>
Despite
repeated attempts to warn the relevant authorities of his ominous visions he
holds to the opinion that time is nonlinear, thus accounting for his "time
travelling" ability, and that the disasters he dreams have already happened.
Nothing more can be done he somberly notes. "I would compare it to looking
at the stars. What we are actually seeing is the light which radiated from
them many years
ago."[34]<http://www.blogger.com/post-edit.g?blog ... 6071#_edn7>

*Notes*
[1]<http://www.blogger.com/post-edit.g?blog ... 1#_ednref1>
"The
Truth Is Still Out There," *The X-Files: Fight the Future*, DVD, directed by
Rob Bowman (1998; Beverly Hills, CA: Twentieth Century Fox Home
Entertainment, 2001).
[2]<http://www.blogger.com/post-edit.g?blog ... 6071#_edn1>
*Heroes*, ".07%," Episode no. 19, first broadcast April 23, 2007, by NBC.
Directed by Adam Kane and written by Chuck Kim.
[3]<http://www.blogger.com/post-edit.g?blog ... 1#_ednref1>
*Fringe*, "Pilot," Episode no. 1, first broadcast September 9, 2008, by.
Directed by Alex Graves and written by J. J. Abrams, Alex Kurtzman and
Roberto Orci.
[4]<http://www.blogger.com/post-edit.g?blog ... 1#_ednref1>
Jeremy
Harwood, *The Freemasons: Unlocking the 1000-year-old Mysteries of the
Brotherhood: the Masonic Rituals, Codes, Signs and Symbols Explained with
over 200 Photographs and Illustrations* (London: Hermes House, 2006), 72,
93.
[5]<http://www.blogger.com/post-edit.g?blog ... 6071#_edn1>
Joseph
Wright, *The English Dialect Dictionary* (London: Oxford University Press,
1961), s.v. "dirdum."
[6]<http://www.blogger.com/post-edit.g?blog ... 1#_ednref1>
*Wikipedia*, s.v. "The Sphere,"
http://en.wikipedia.org/wiki/The_Sphere (accessed
November 22, 2006).
[7]<http://www.blogger.com/post-edit.g?blog ... 1#_ednref1>
J.
C. Cooper, *An Illustrated Encyclopedia of Traditional Symbols* (London:
Thames & Hudson, 1978), s.v. "scorpion."
[8]<http://www.blogger.com/post-edit.g?blog ... 1#_ednref1>
Mark
O'Connell and Raje Airey, *The Illustrated Encylopedia of Signs and Symbols:
Identification and Analysis of the Visual Vocabulary That Formulates Our
Thoughts and Dictates Our Reactions to the World Around Us* (London: Lorenz
Books, 2006), 212.
[9]<http://www.blogger.com/post-edit.g?blog ... 1#_ednref1>
Ibid.,
240.
[10]<http://www.blogger.com/post-edit.g?blog ... 1#_ednref1>
Alex
Grey, *Sacred Mirrors: The Visionary Art of Alex Grey* (Rochester, VT: Inner
Traditions International, 1990), 84.
[11]<http://www.blogger.com/post-edit.g?blog ... 1#_ednref1>
Boris
Vallejo, *Boris Vallejo's Fantasy Calendar 1998*, comm. Phillip Jose Farmer
(New York: Workman, 1997), June.
[12]<http://www.blogger.com/post-edit.g?blog ... 1#_ednref1>
Jack
Kerouac, *On the Road* (New York: Viking, 2007), 117..
[13]<http://www.blogger.com/post-edit.g?blog ... 1#_ednref1>
Robert
Buchard, *Thirty Seconds Over New York*, trans. June P. Wilson and Walter B.
Michaels (New York: Belmont Tower Books, 1970), back cover.
[14]<http://www.blogger.com/post-edit.g?blog ... 1#_ednref1>
Chris
Claremont, John Romita Jr. and Steve Leialoha, "Two Girls Out to Have Fun!"
*The Uncanny X-Men* 1, no. 189 (January 1985): 2?3.
[15]<http://www.blogger.com/post-edit.g?blog ... 1#_ednref1>
Pepe
Moreno, *Rebel* (New York: Catalan Communications, 1986), 51.
[16]<http://www.blogger.com/post-edit.g?blog ... 1#_ednref1>
Ibid.,
67.
[17]<http://www.blogger.com/post-edit.g?blog ... 1#_ednref1>
Simon
Furman, Jose Delbo and Danny Bulanadi, "Rhythms of Darkness!" *Transformers* 1,
no. 67 (June 1990): 2?3.
[18]<http://www.blogger.com/post-edit.g?blog ... 1#_ednref1>
Francisco
Ibanez, *Las Aventuras de Mortadelo y Filemon: El 35 Aniversario* (Barcelona:
Ediciones B, 1993), 46.
[19]<http://www.blogger.com/post-edit.g?blog ... 1#_ednref1>
*New York Times*, May 2, 1968.
[20]<http://www.blogger.com/post-edit.g?blog ... 1#_ednref1>
*Le Point*, March 19, 1979.
[21]<http://www.blogger.com/post-edit.g?blog ... 1#_ednref1>
*Brava Casa*, April 2001.
[22]<http://www.blogger.com/post-edit.g?blog ... 1#_ednref1>
Kenn
Thomas, *The Conspiracy Files: Evidence Behind the World's Most Notorious
Theories* (Sydney: Murdoch Books, 2007), 50?1.
[23]<http://www.blogger.com/post-edit.g?blog ... 1#_ednref1>
*Mysteries of the Unexplained: How Ordinary Men and Women Have Experienced
the Strange, the Uncanny and the Incredible* (New York: Readers Digest
Association, 1982), 65.
[24]<http://www.blogger.com/post-edit.g?blog ... 1#_ednref1>
*Wikipedia*, s.v. "Milton William Cooper,"
http://en.wikipedia.org/wiki/Milton_William_Cooper#cite _note-X-6 (accessed
September 30, 2008).
[25]<http://www.blogger.com/post-edit.g?blog ... 1#_ednref1>
William
Cooper, *Hour of the Time*, WBCQ, June 28, 2001.
[26]<http://www.blogger.com/post-edit.g?blog ... 1#_ednref1>
"In
July 2001, Alex Jones Warned of Globalist Plan to Use Bin Laden to Attack
America," *Alex Jones' Prison Planet.tv*, August 26, 2004,
http://prisonplanet.tv/articles/august2 ... warned.htm.
[27]<http://www.blogger.com/post-edit.g?blog ... 1#_ednref1>
Alex
Jones, *Infowars*, Genesis Communication Network, July 25, 2001.
<http://www.blogger.com/post-edit.g?blog ... 1#_ednref1>
[28]<http://www.blogger.com/post-edit.g?blog ... 1#_ednref1>
Richard
Pendlebury, "A New Nostradamus?" *Daily Mail*, December 1, 2001.
[29]<http://www.blogger.com/post-edit.g?blog ... 1#_ednref1>
"Predictions
Hit Bullseye: British and Australian Psychics Who Foresaw Concorde Crash and
11 September Disaster," Strange Days, *Fortean Times*, September 2002, 16.
[30]<http://www.blogger.com/post-edit.g?blog ... 1#_ednref1>
Pendlebury,
"A New Nostradamus?"
[31]<http://www.blogger.com/post-edit.g?blog ... 1#_ednref1>
*Real Premonitions*. First broadcast 8 March 2007 by A&E. Directed by David
Grabias and written by David Grabias.
[32]<http://www.blogger.com/post-edit.g?blog ... 1#_ednref1>
Pendlebury,
"A New Nostradamus?"
[33]<http://www.blogger.com/post-edit.g?blog ... 1#_ednref6>
Ibid.
[34]<http://www.blogger.com/post-edit.g?blog ... 1#_ednref7>
Ibid.
POSTED BY JOHN VALENTINI AT
09:11<http://imagining911.blogspot.com/2008/1 ... es_11.html>
<http://www.blogger.com/email-post.g?blo ... 6485996071>

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